Cast and crew

Michael Clarke Duncan

Reviewed Filmography ^*
Articles

In the Hive (2013) — Mr. Hollis
Omer M. Mozaffar
Green Lantern (2011) — Kilowog
Roger Ebert
Kung Fu Panda (2008) — Commander Vachir
Roger Ebert
Slipstream (2007) — Bartender
Roger Ebert
Talladega Nights: The Ballad of Ricky Bobby (2005) — Washington
Jim Emerson
The Island (2005) — Starkweather
Roger Ebert
Sin City (2005) — Manute
Roger Ebert
D.E.B.S. (2005) — Academy President
Roger Ebert
Racing Stripes (2005) — Clydesdale
Roger Ebert
Brother Bear (2003) — Tug
Roger Ebert
Daredevil (2003) — Kingpin/Fisk
Roger Ebert
The Scorpion King (2002) — Balthazar
Roger Ebert
Planet of the Apes (2001) — Attar
Roger Ebert
See Spot Run (2001) — Agent Murdoch
Roger Ebert
The Whole Nine Yards (2000) — Frankie
Roger Ebert
The Green Mile (1999) — John Coffey
Roger Ebert

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

# 73 July 27, 2011

by Marie Haws | July 21, 2011 |

"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss

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UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.

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Movie Answer Man (06/16/2002)

by Roger Ebert | June 16, 2002 |

Q. The neo-Nazi terrorists in the film version of the "The Sum of All Fears" were radical Muslim terrorists in Tom Clancy's book, but as you noted in your review, the change was made in order to avoid offending people. What's your take on all this? Has the Muslim terrorist in movies gone the way of the Indian marauder? (Stephen Athanson, Blue Ridge VA)

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Ebert's Oscar predictions (2000)

by Roger Ebert | March 19, 2000 |

If "The Cider House Rules" wins the Academy Award for best picture next Sunday night, expect the groans to more or less equal the cheers. There are those who sincerely believe it is a good picture, but there are other, perhaps more numerous, who believe "Cider's" seven nominations are less a tribute to the film's greatness than to the well-oiled Miramax Oscar Machine.

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