Blog Posts That Mention Logic
HBO’s The Third Day is Ambitious Psychological Horror
Nick Allen
Poetic Logic: On David Lynch’s “Mulholland Dr.”
Max Winter
Emotional Logic: Bryan Fuller Redefines the Crime Drama with “Hannibal”
Brian Tallerico
Debate Based on Total Lack of Logic
Jim Emerson
Cannes 2025 Video #7: Critics’ Roundtable
Chaz Ebert
Cannes 2025: Resurrection, Honey Don’t!
Robert Daniels
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Ben Kenigsberg
Cannes 2025: Left-Handed Girl, Sirât
Ben Kenigsberg
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Zachary Lee
13 Reviews by Roger Ebert for the 2025 Day4Empathy
The Editors
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
Isaac Feldberg
Ambient Comedy: Carson Lund on “Eephus”
Isaac Feldberg
People Have Theories: “Picnic at Hanging Rock” at 50
Alisha Mughal
Screwball in Vermont: “Baby Boom”
Jen Johans
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
Robert Daniels
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Brian Tallerico
Roger Ebert (and More) on David Lynch
Brian Tallerico
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Isaac Feldberg
The Great Craft of 2024
The Editors
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
Josh Broadwell
Short Films in Focus: Don Hertzfeldt’s “ME”
Collin Souter
Netflix’s Sharp “The Diplomat” Offers Escapism for Political Junkies
Brian Tallerico
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
Noel Ransome
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
The Editors
Panic! At the Disco: Body Double at 40
Brendan Hodges
Criterion Adds Val Lewton Double Feature to the Collection
Chris Vognar
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