In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb silver lake poster

Under the Silver Lake

This is the kind of movie that garners a cult following and will make underrated lists at the end of the year. It’s unlike anything…

Thumb homecoming poster

Homecoming

Homecoming deserves consideration as one of the great concert movies of all time.

Other Reviews
Review Archives
✖
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
✖
Other Articles
Chaz's Journal Archives
✖
Other Articles
Blog Archives
✖
Other Articles
Far Flunger Archives
✖
Other Articles
Channel Archives
✖

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Oscars: The king vs. the nerds vs. the Rooster

by Roger Ebert  |    | 

Primary eb20110125oscars110129987ar

The 2011 Oscar race seems to be shaping up among the King of England, two nerds, and Rooster Cogburn. "The King's Speech," about George VI's struggle to overcome a stammer, led all nominations with 12. The nerds won eight nominations each for "The Social Network," the story of the founder of Facebook, and "Inception," about a man who hacks into other people's dreams. "The Fighter" followed with seven.

Continue reading →

LA & NY crix love The Social Network and Carlos

by Jim Emerson  |    | 

Primary rmjesocialn thumb 510x344 28959

According to the Los Angeles Film Critics Association and the New York Film Critics Circle, the two best films of 2010 are David Fincher's "The Social Network" and Olivier Assayas's "Carlos." I've no quarrel with that. In fact, those two movies are at the top of a list I made for a critics' poll that will be published any day now because they're both masterful, multi-layered works that I found as stimulating to think about as they are engrossing to watch. Both the LA and NY groups chose "The Social Network" as best picture and "Carlos" as best (and most) foreign-language film -- all five and a half hours and 11 languages: English, French, German, Spanish (with a Venezuelan accent), various dialects of Arabic, Russian, Hungarian, Italian... LAFCA left no doubt about its esteem for both movies, with "Carlos" coming in as first runner-up for best picture and Fincher and Assayas sharing the director's prize. (Both groups also gave "Black Swan" their best cinematography prizes.)

Complete lists of the winners are below, but I wanted to take this opportunity to make some comparisons between these two movies. No, I don't think either of them has much to do with "realism," but both build their disputed nonfictional narrative webs around rather opaque, fictionalized central characters who are seen as heroes by some, villains by others, and neither by the movies themselves. Both "Carlos" (the revolutionary alias of Ilich Ramírez Sánchez, played by Edgar Ramirez) and "Mark Zuckerberg" (the Facebook founder played by Jesse Eisenberg) are projections -- like profiles compiled by intelligence agencies or... Facebook pages. Either film could begin with a version of these words, which preface each of the three parts of "Carlos":

This film is the result of historical and journalistic research.

Because of controversial gray areas in Carlos' life, the film must be viewed as fiction, tracing two decades in the life of a notorious terrorist.

His relations with other characters have been fictionalized as well.

The three murders on Rue Toulier are the only events depicted in this film for which Ilich Ramirez Sanchez was tried and sentenced.

The Drugstore Publicis bombing is still under investigation.

Continue reading →