It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
Marie writes: And so it begins! A new year and another season of Film Festivals and Award shows. The Golden Globes have come and gone and in advance of quirky SXSW, there's Robert Redford's Sundance 2013...
1) "Let the Right One In": Sole witness to a desanguination: This creature of the night (at right, a standard poodle?) appears out of the darkness of the barren woods, like a corporeal outgrowth of the snow and the white-barked birches themselves. The dog sits, watches, and will not leave, forcing a vampire's procurer to flee in panic and frustration. One of my favorite movie-moments of the year, and one that made me laugh (aghast) the hardest, though nobody else in the nearly full theater joined me. Was it because the movie is Swedish that the crowd didn't seem to know/think it was funny? We won't even talk about the stuff with the cats...