Corpus Christi
Bartosz Bielenia is never less than totally compelling.
John Badham
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Nick of Time (1995)
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Directed by
Roger Ebert -
Drop Zone (1994)
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Directed by
Roger Ebert -
Another Stakeout (1993)
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Directed by
Roger Ebert -
Point Of No Return (1993)
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Directed by
Roger Ebert -
The Hard Way (1991)
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Directed by
Roger Ebert -
Bird On A Wire (1990)
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Directed by
Roger Ebert -
Stakeout (1987)
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Directed by
Roger Ebert -
Short Circuit (1986)
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Directed by
Roger Ebert -
American Flyers (1985)
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Directed by
Roger Ebert -
WarGames (1983)
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Directed by
Roger Ebert -
Dracula (1979)
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Directed by
Roger Ebert -
Saturday Night Fever (1977)
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Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Thumbnails 4/10/18
The Passion of Emma González; Elizabeth Wood on "White Girl"; A driverless future; How to trick AI; The next great action director.
Beyond Narrative: The Future of the Feature Film
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
Zombies in the Outfield and Cats in the Owner's Box; the Top Ten Odd and Overlooked Baseball Movies
Ten of the oddest baseball movies ever, just in time for the playoffs.
Thumbnails 8/3/2013
Shooting the final dance contest in "Saturday Night Fever"; John Boorman's unmade "Lord of the Rings"; Wikipedia founder brands the U.K.'s new anti-online-porn plan 'ridiculous'; how the American suburbs became a hotbed of increasing poverty; Red Sox owner buys Boston Globe; photo of the NSA's massive data-harvesting facility in Utah; Chris Doyle talkes about the art of the cinematographer.
Ebert reviews Johnny Depp
Just think: Johnny Depp could have had the career of, say, Richard Grieco. In 1988, they were both break-out stars, young TV cops working undercover as high school students in the fledgling Fox network's first hit show, "21 Jump Street."
Interview with Richard Dreyfuss
Right in the middle of our tangled discussion of his new movie, right in the middle of one of those great, impassioned philosophical arguments that you hardly ever hold after you graduate from college, Richard Dreyfuss threw me a curve ball. "Ah," he said, "but what about 'Triumph of the Will'?" And right away, I saw the corner I had painted myself into.
