Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The Passion of Emma González; Elizabeth Wood on "White Girl"; A driverless future; How to trick AI; The next great action director.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
Ten of the oddest baseball movies ever, just in time for the playoffs.
Shooting the final dance contest in "Saturday Night Fever"; John Boorman's unmade "Lord of the Rings"; Wikipedia founder brands the U.K.'s new anti-online-porn plan 'ridiculous'; how the American suburbs became a hotbed of increasing poverty; Red Sox owner buys Boston Globe; photo of the NSA's massive data-harvesting facility in Utah; Chris Doyle talkes about the art of the cinematographer.
Just think: Johnny Depp could have had the career of, say, Richard Grieco. In 1988, they were both break-out stars, young TV cops working undercover as high school students in the fledgling Fox network's first hit show, "21 Jump Street."
Right in the middle of our tangled discussion of his new movie, right in the middle of one of those great, impassioned philosophical arguments that you hardly ever hold after you graduate from college, Richard Dreyfuss threw me a curve ball. "Ah," he said, "but what about 'Triumph of the Will'?" And right away, I saw the corner I had painted myself into.