Pitch Black
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Jim
Jim Movie Reviews
Blog Posts That Mention Jim
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Sundance 2025: Twinless, Ricky, Jimpa
A Good Reason to Be a Coward: Jim Cummings on The Last Stop in Yuma County
Jim Reynolds, Founder of Loop Capital, to Receive 2023 Lincoln Leadership Prize
Cinema’s Man of Steel: Jim Brown (1936-2023)
Shouting in Parking Lots: Jim Cummings and P.J. McCabe on The Beta Test
When You Have a Hammer, Everything Looks Like a Nail: Jim Cummings on The Wolf of Snow Hollow
Showtime’s Kidding Takes Us to Jim Carrey’s Melancholy Neighborhood
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
Venice Film Festival 2017: “mother!,” “Jim and Andy”
A farewell to Nashville film critic Jim Ridley: a civic institution and everybody’s friend
Sundance 2016: “Jim,” “Newtown,” “Trapped”
TV Review: ABC’s “The Muppets” Revives Subversive Spirit of Jim Henson
Book Excerpt: Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
Ebertfest Profile: John and Jim Burns
Nat Faxon and Jim Rash talk about “The Way, Way Back”
His own man: Jim Kelly, 1946-2013
Jim Carrey as…Charlton Heston
Remembering Jim Gordon
2010 Webby Award winners: Ebert, Jim Carrey, OK Go, Amy Poehler, Lisa Kudrow, the Onion
Kill Bill — not Jim
Jim’s favorite movies of 2009: The movie
Jim Crow casting?
Jim Gordon: In Memory
Jim Carrey Laughs in Face of Success
Interview with Jim Brown
TIFF 2025: Dust Bunny, The Furious, Normal
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
SDCC 2025: Celebrating ALL the Popular Arts
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
A Chicago Star: A Conversation with Michael Madsen
American Badass: Michael Madsen (1957-2025)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
The Glorious Year of Morgan Freeman
Then They Will Learn: The Truth Behind Juneteenth
Tribeca Film Festival 2025: The Narrative Features
Field Notes: Navigating Its First Film Festival
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: Leave One Day, The Gold Rush
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Doc10 Launches 10th Anniversary Edition with Some of the Best Non-Fiction Films of 2025
Robert Daniels & Odie Henderson Talk Sinners
The CW’s “Sherlock & Daughter” Appears to be Made for No One
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
Fantastical Season 3 of AMC’s “Dark Winds” Is an Electrifying Series Best
A Preview of the 2025 Rendez-Vous with French Cinema
