Pitch Black
Written by
Jim
Jim Movie Reviews
Blog Posts That Mention Jim
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Sundance 2025: Twinless, Ricky, Jimpa
A Good Reason to Be a Coward: Jim Cummings on The Last Stop in Yuma County
Jim Reynolds, Founder of Loop Capital, to Receive 2023 Lincoln Leadership Prize
Cinema’s Man of Steel: Jim Brown (1936-2023)
Shouting in Parking Lots: Jim Cummings and P.J. McCabe on The Beta Test
When You Have a Hammer, Everything Looks Like a Nail: Jim Cummings on The Wolf of Snow Hollow
Showtime’s Kidding Takes Us to Jim Carrey’s Melancholy Neighborhood
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
Venice Film Festival 2017: “mother!,” “Jim and Andy”
A farewell to Nashville film critic Jim Ridley: a civic institution and everybody’s friend
Sundance 2016: “Jim,” “Newtown,” “Trapped”
TV Review: ABC’s “The Muppets” Revives Subversive Spirit of Jim Henson
Book Excerpt: Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
Ebertfest Profile: John and Jim Burns
Nat Faxon and Jim Rash talk about “The Way, Way Back”
His own man: Jim Kelly, 1946-2013
Jim Carrey as…Charlton Heston
Remembering Jim Gordon
2010 Webby Award winners: Ebert, Jim Carrey, OK Go, Amy Poehler, Lisa Kudrow, the Onion
Kill Bill — not Jim
Jim’s favorite movies of 2009: The movie
Jim Crow casting?
Jim Gordon: In Memory
Jim Carrey Laughs in Face of Success
Interview with Jim Brown
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
Sundance Film Festival Announces 2026 Line-Up
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Fantastic Fest 2025: Primate, Bride of Re-Animator
TIFF 2025: Dust Bunny, The Furious, Normal
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
SDCC 2025: Celebrating ALL the Popular Arts
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
A Chicago Star: A Conversation with Michael Madsen
American Badass: Michael Madsen (1957-2025)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
The Glorious Year of Morgan Freeman
Then They Will Learn: The Truth Behind Juneteenth
Tribeca Film Festival 2025: The Narrative Features
Field Notes: Navigating Its First Film Festival
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: Leave One Day, The Gold Rush
