Pitch Black
Written by
Jim
Jim Movie Reviews
Blog Posts That Mention Jim
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Sundance 2025: Twinless, Ricky, Jimpa
A Good Reason to Be a Coward: Jim Cummings on The Last Stop in Yuma County
Jim Reynolds, Founder of Loop Capital, to Receive 2023 Lincoln Leadership Prize
Cinema’s Man of Steel: Jim Brown (1936-2023)
Shouting in Parking Lots: Jim Cummings and P.J. McCabe on The Beta Test
When You Have a Hammer, Everything Looks Like a Nail: Jim Cummings on The Wolf of Snow Hollow
Showtime’s Kidding Takes Us to Jim Carrey’s Melancholy Neighborhood
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
Venice Film Festival 2017: “mother!,” “Jim and Andy”
A farewell to Nashville film critic Jim Ridley: a civic institution and everybody’s friend
Sundance 2016: “Jim,” “Newtown,” “Trapped”
TV Review: ABC’s “The Muppets” Revives Subversive Spirit of Jim Henson
Book Excerpt: Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
Ebertfest Profile: John and Jim Burns
Nat Faxon and Jim Rash talk about “The Way, Way Back”
His own man: Jim Kelly, 1946-2013
Jim Carrey as…Charlton Heston
Remembering Jim Gordon
2010 Webby Award winners: Ebert, Jim Carrey, OK Go, Amy Poehler, Lisa Kudrow, the Onion
Kill Bill — not Jim
Jim’s favorite movies of 2009: The movie
Jim Crow casting?
Jim Gordon: In Memory
Jim Carrey Laughs in Face of Success
Interview with Jim Brown
A Chicago Star: A Conversation with Michael Madsen
American Badass: Michael Madsen (1957-2025)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
The Glorious Year of Morgan Freeman
Then They Will Learn: The Truth Behind Juneteenth
Tribeca Film Festival 2025: The Narrative Features
Field Notes: Navigating Its First Film Festival
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: Leave One Day, The Gold Rush
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Doc10 Launches 10th Anniversary Edition with Some of the Best Non-Fiction Films of 2025
Robert Daniels & Odie Henderson Talk Sinners
The CW’s “Sherlock & Daughter” Appears to be Made for No One
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
Fantastical Season 3 of AMC’s “Dark Winds” Is an Electrifying Series Best
A Preview of the 2025 Rendez-Vous with French Cinema
In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Roger Ebert (and More) on David Lynch
14 Underrated Movies of 2024
Netflix Faithfully Adapts “One Hundred Years of Solitude,” For Better and Worse
2025 Sundance Film Festival Announces Ambitious Program
Home Entertainment Guide: November 2024
