As of this writing, Todd Phillips’ “Joker” has earned nearly $1 billion globally, making it one of the most successful comic book movies ever released. But the discourse surrounding it will outlive this moment. No comic book-derived film since “Black Panther” has sparked more commentary, although the discussion surrounding this one has been more oppositional than anything else, and clouded by bad faith on every side.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
(click to enlarge)
Take a breath and be brave. Very, very brave.... smile....Behold the "Willis Tower" in Chicago (formerly the Sears Tower) - the tallest building in North America and its famous attraction, The Skydeck. In January 2009, the Willis Tower owners began a major renovation of the Skydeck, to include the installation of glass balconies, extending approximately four feet over Wacker Drive from the 103rd floor. The all-glass boxes allow visitors to look directly through the floor to the street 1,353 feet (412 m) below. The boxes, which can bear five short tons of weight (about 4.5 metric tons), opened to the public on July 2, 2009.
From the Grand Poobah: Time passes twice now, first as real time, then as remembrance of things past, as I search my memory for my memoir. As my eyes lift up from my keyboard, they stare sightlessly straight ahead and old faces and places pass in review. So I take a photo of where I'm looking, in order to record what I see. When the picture was taken, Gene and I were in the Brown Derby at Disney World while taping an Oscar special; I'd like to say I have no idea of who came up with the idea for that composition, but I do, and it was yours faithfully, the Poobah.
(click to enlarge and read book spines; smile.)
He always wanted to work with Bill Murray, Jim Jarmusch said. "He's got a big-brush style where he's a comic genius. But he can also paint with a one-haired brush." That was the Murray that Jarmusch wanted, the one he had seen in "The Razor's Edge," "Mad Dog and Glory," "Ed Wood," "Rushmore" and "Lost in Translation." So it should have been simple. Jarmusch worked on a screenplay for four or five months, went to Cannes in 2002 to raise the money for it, and came home with most of the financing in place.
Howard Hughes: Leonardo DiCaprio, Katharine Hepburn: Cate Blanchett, Ava Gardner: Kate Beckinsale, Noah Dietrich: John C. Reilly, Juan Trippe: Alec Baldwin, Sen. Brewster: Alan Alda, Professor Fitz: Ian Holm, Jack Frye: Danny Huston, Jean Harlow: Gwen Stefani, Errol Flynn: Jude Law, Johnny Meyer: Adam Scott, Glenn Odekirk: Matt Ross, Faith Domergue: Kelli Garner, Mrs. Hepburn: Frances Conroy, Robert Gross: Brent Spiner, Louis B. Mayer: Stanely DeSantis, Joseph Breen: Edward Herrmann