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Don Ameche

Reviews

Things Change (1988)
Trading Places (1983)

Blog Posts

Ebert Club

#137 October 10, 2012

Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....

(Click image to enlarge.)

Festivals & Awards

The Unwritten Rules of Oscar

Shhhhhh. Don't tell a soul. Close Oscar-watchers (and Academy insiders) know that what you are about to read is true -- but few like to talk about these things. When it comes to picking Oscar winners, you can study the stats of Oscars past in search of patterns and clues, but there are certain influential paradigms that defy and transcend conventional statistical analysis.

Movie Answer Man

Movie Answer Man (08/23/1998)

In the Answer Man column for July 12, reader David J. Bondelevitch wrote: "I had to bite my tongue from laughing when Sam Neill's character showed up in Montana near the end of 'The Horse Whisperer.' I kept thinking he had fulfilled his dying plea from 'The Hunt for Red October.' After being shot, Sam Neill's dying words in 'Hunt' were (in a thick Russian accent): 'I would like to have seen Montana.' "

Interviews

'Things Change' for Don Ameche

There is a scene in "Things Change" where Don Ameche is in a steam room with a towel draped across himself, and this is not a man who looks 80 years old. You look at the scene and you reflect that he made "Ramona" in 1936 and has two movies coming out in the autumn of 1988 and you wonder what his secret is. He is glad to share it with you. His secret is clean living.

Interviews

Eric Roberts: Star 86

NEW YORK -- Eric Roberts has an agent who lives nine stories above Seventh Avenue, near Times Square, in one of those old brick buildings filled with the offices of private eyes and mysterious import-export operations.