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SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking

Interview: James D. Cooper on “Lambert & Stamp”

Oscar Buzz Part Two: Zach with Bradley Cooper, Jessica Chastain, Sally Field & a guest from Lincoln

Cannes 2025: Sentimental Value, Romería, The History of Sound

Your Guide to Ebertfest 2025: Day 4, April 26th

Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More

Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities

“North of North” Carefully Balances Darkness and Charm

Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains

What to Watch on Netflix: April 2025

How the One-Take Approach of “Adolescence” Traps Us in Tragedy

From Gena to Annette: Great Actresses with Oscar Nominations but No Wins

Screwball in Vermont: “Baby Boom”

Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival

Sundance 2025: Big Swings Pay Off in the Episodic Program

“The Hangover,” “Rumours” Announced For Ebertfest 2025

December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More

The Great Performances of 2024, Part Two

2025 Sundance Film Festival Announces Ambitious Program

Female Filmmakers in Focus: Marielle Heller on “Nightbitch”

Home Entertainment Guide: November 2024

Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”

The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”

Home Entertainment Guide: September 2024

13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective

Losers Win: Guardians of the Galaxy Turns 10

Flying to the Moon: Ten Films About the Apollo Program

Kevin Costner: The Last of the Cornball American Directors

Book Excerpt: Hollywood Pride by Alonso Duralde

Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More

She Knew: The Women of Science Fiction Who Predicted the Future

Oscar Predictions 2024: What Will Win This Year

Nobody Else Is Doing What Emma Stone Is Doing Right Now

The 96th Academy Award Nominations Are Announced, Led by Oppenheimer

Oscar Predictions 2024: What Will Be Nominated This Year

We’re So Short on Time: John Sayles on Lone Star

The Great Performances of 2023

The 25 Best TV Series of 2023

The Critics Choice Association’s Celebration of Cinema and Television Honoring Black, Latino, and AAPI Achievements in 2023

The Best Horror Films of 2023

MOMA Launches Iranian Cinema Before the Revolution, 1925-1979

Kelsey Grammer Hears the Blues A-Callin’ in Paramount+’s Semi-Charmed Frasier Reboot

TIFF 2023: A Canadian Looks Back at a Tumultuous Fest

The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions

TIFF 2023: Wildcat, Gonzo Girl, Orlando My Political Biography

Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer

Redacting Racism: Some Thoughts on Race-Blind Casting

Meet the Writers of Black Writers Week 2023

Prince of the Cinema: Treat Williams (1951-2023)

A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return

A Road Paved with Bloodshed: High Plains Drifter Turns 50

The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love

The Lost Pioneers of the Early Film Era

The Real Deal: Tom Sizemore (1961-2023)

HBO’s Rain Dogs Finds Humor, Despair in the Working-Class Mum at its Center

Bright Wall/Dark Room December 2022: Ernst Lubitsch’s Design for Living: Three Square Meals a Day by Fran Hoepfner

Home Entertainment Guide: November 2022

Peyton Robinson’s Overlooked Films of 2022

Serious Oscar Contenders Dazzle at 2022 BendFilm Festival

TIFF 2022: Saint Omer, Hawa, Daliland

TIFF 2022: Devotion, Chevalier, Carmen

You Want People to Enter the Dream: Mary Sweeney on Lost Highway, Mulholland Dr. and The Straight Story

10 Films We Can’t Wait to See at the 2022 Fantasia Festival

I Think I Made a Bad Movie

A Celebration of Friendship: Andrew Ahn and Nick Adams on Fire Island

Home Entertainment Guide: May 2022

The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared

The 2022 Chicago Critics Film Festival Welcomes Major Chicago Premieres

The Ebert Fellows on Ebertfest 2022

Ebertfest 2022 Recap: A Golden Homecoming

Roger’s Top Ten Lists: Best Films of the 1980s

Clothes Make the Character: Janie Bryant on the Wardrobe of Mad Men

Peacock’s Bel-Air Fights to Take the TV Throne

2022 Oscar Nomination Predictions

Apple TV+ Thriller Suspicion Raises Too Many Doubts

Sundance 2022: Cha Cha Real Smooth, Palm Trees and Power Lines, Alice, Blood

Sundance 2022: 20 Films We Can’t Wait to See
