Ruben Brandt, Collector
The film is lighthearted but not frivolous, and the animation - a mix of computer-generated and hand-drawn - is so innovative and fun it's always…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A dispatch from the 2018 Reykjavík International Film Festival covering Sergey Loznitsa's "Donbass" and a Swim-in-Cinema screening of Luc Besson's "The Fifth Element."
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
With another Police Story film opening this week, 30 years after the original, Simon Abrams offers a primer.
A gallery of photos, videos and links illustrating Chaz's journey relating to Roger's legacy in the two years since his death.
Hollywood and indie film directors, actor John Cusack, actor Chris Tucker, comedian and philanthropist Dick Gregory, former Playboy chair Christie Hefner and the president of Sony Pictures Classics, and the lead critics from Variety, The Hollywood Reporter, and the Chicago Film Critics Association, will join other celebrities, friends and colleagues to pay tribute to iconic film critic Roger Ebert’s life and prolific career at “Roger Ebert: A Celebration of Life,” this Thursday, April 11, at 7 p.m. at the Chicago Theatre, 175 N. State St.
The key strength of David O. Russell's "Silver Linings Playbook" (2012) is that the acting is so strong that we forget we are watching the movie. In those moments that the plot guides us, it takes us in some directions familiar, some directions frightening, and some directions fun. In a year that has given us a compassionate story about addiction in "Flight," we also have this equally tender film about mental illness. I want to see this movie again, if at least because it is so happy, even though it did not have to be.
Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
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Marie writes: It's that time of year again! Behold the shortlisted nominees for The Turner Prize: 2012. Below, Turner Prize nominee Spartacus Chetwynd performs 'Odd Man Out 2011' at Tate Britain on October 1, 2012 in London, England.
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Q. In the Answer Man for Aug. 17, Phil Giordano asks about a Sixth Man in “The Godfather” who is never identified when the Corleones plan the execution of a police captain. The person he is wondering about is Rocco Lampone, played by Tom Rosqui, who is uncredited in the film, according to the IMDB. Mr. Giordano will remember the earlier scene in the film where Rocco executes Paulie in the car as Clemenza urinates outside (the “leave the gun, take the cannoli” scene).
CANNES, France -- One of the traditions at Cannes is the dramatic unveiling of advance footage from a blockbuster scheduled to open next Christmas. I avoid these opportunities. I prefer to see movies all at once. Therefore I turned down an invitation to the preview party for "Dreamgirls," the big musical scheduled to open Dec. 6.
Q. Upon reading your 3-star review of "Ghosts Of Mars," I went with a date to see this film. "Ghosts Of Mars" is a travesty, a film destined for the bottom of the direct-to-video release barrel. It is unoriginal (like the fifth film in the last two years set on Mars), unexciting (not one genuine scare or clever action sequence), badly written (they continue to shoot the bad guys despite the fact that they are more dangerous that way) and poorly acted (not one actor transcends the dialogue they were given). The only consolation I could offer anyone involved with the making of this film is that "Ghosts Of Mars" will be easily forgotten. You said the film "delivered on its chosen level." What level was that? The bad movie level? If a film can receive a complimentary review and rating for simply setting its sights low, how can I know when a 3-star movie is truly a good movie or a bad one with no ambitions? (David Boostrom, St. Louis MO)