Maleficent: Mistress of Evil
Despite flashes of inspiration, this sequel to the unexpectedly compelling Maleficent can't seem to get out of its own way.
Brian Grazer
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Boomerang (1992)
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Produced by
Roger Ebert -
Kindergarten Cop (1990)
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Produced by
Roger Ebert -
Like Father Like Son (1987)
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Produced by
Roger Ebert -
Real Genius (1985)
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Produced by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
TIFF Announces First Wave of Gala and Special Presentation Films
The first wave of World Premieres announced for TIFF 2019.
Sundance 2019 Interview: Julius Onah on Luce
An interview with Julius Onah, director/co-writer of "Luce."
Sundance 2017 Announces Premieres, Midnight Films and More
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
"The Artist" and "Hugo": A very French Oscars
It was like an episode from "The Twilight Zone." The Academy Award for best picture went to a silent film in black and white. The unstoppable "The Artist," which had nothing going for it but boundless joy, defeated big-budgeted competitors loaded with expensive stars because … well, because it was so darned much fun. Its victory will send Hollywood back to its think-tanks.
My Dinner with Clint
Kyle and Alison Eastwood with their father Clint on a big night out in Cannes.
Dear Roger,
I've just returned from the official dinner given by the Festival for Clint Eastwood's movie. I felt like Cinderella at the ball. The dinner was held at the swanky Restaurant La Palme d'Or on the Croisette. I wore my long evening gown just like all the French women wear at night. That's usually the last thing you want to do after watching movies all day, and most of the American women journalists skip the gowns, but I am a hybrid this year, not quite journalist and not quite guest. Besides, this was a special evening and I wanted to make a good showing for you.
Cannes #1: Not a Louvre Story
CANNES, France - On second thought, maybe it was not such a great idea to hold the world premiere of "The Da Vinci Code" at the Cannes Film Festival. The critical reception here was negative, but what would you expect? As someone who enjoyed the film (good, not great, better than the book) I am possibly typical of many of the people who will pay to see it. But when you open at Cannes, those are not the people in your audience.
Movie Answer Man (12/01/1996)
Q. Friends in Toronto tell me David Cronenberg's "Crash (1997)" is the most challenging movie they have seen. I read on the Internet that Ted Turner doesn't like it and will not open it in America. It was scheduled for an October release, I heard, but has been pulled out of the schedule. True? (Susan Lake, Urbana, Ill).
