
Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2
Season 2 seems to have righted the ship and given Netflix’s latest mascot a more delicious meal to chew on…. so far.
Season 2 seems to have righted the ship and given Netflix’s latest mascot a more delicious meal to chew on…. so far.
An interview with the voice behind the TIFF-favorite doc about Sudanese activists fighting for freedom.
The kind of short film that accomplishes a lot without ever looking like it’s trying too hard.
“Platonic” is sweet and light and makes for perfect late summer viewing.
A personal report from this year’s SDCC.
The “Shape of Water” director is the latest to receive the eponymous award for excellence in directing.
Simon West gets some love from our monthly series on underrated flicks.
The series is crafted with an overwhelming perspective of wonder and richness.
This is a world of consequences, where Black leading characters are rendered in fullness.
None of it is cutting-edge, but that’s OK.
One of the most surprising jumps in quality from a first to second season in a very long time.
An interview with the director, stars and producers of Together.
On three weird, avant-garde films that found purchase at this year’s festival.
We break down the best and the worst of humanity, and Netflix’s smash hit disaster-porn documentary series.
A tribute to the iconic political musical satirist, who passed this weekend.
An interview with the star of Rocketman, Kingsman, Smoke, and this week’s She Rides Shotgun.
“King of the Hill” quickly finds its footing, and a couple of the episodes in the mid-section of this 10-episode season rank among the best half-hour comedy chapters of the year, anywhere.
Three young women seek safety and purpose in the supernatural in three new titles from this year’s fest.
A report on the 2025 Cinema Femme Short Film Festival, which unfolded last weekend at the Music Box in Chicago.