No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
On the 25th anniversary of Stanley Kubrick’s polarizing final work.
On the 25th anniversary of Stanley Kubrick’s polarizing final work.
The Egyptian journalist embedded with the Taliban shortly after U.S. forces pulled out of Afghanistan. He talks about earning their trust, going through therapy, and why he wants Americans to remember what we did to that country.
A tribute to the fitness guru and pop culture icon.
Sir Anthony Hopkins leads a bloody, adults only take on the Roman Colosseum that works just enough to entertain.
A call for peace from Chaz Ebert.
A video essay on Alan J. Pakula’s “The Parallax View,” a perfect movie with a merciless ending
In honor of the award-winning actor’s death, we celebrate her most indelible roles, which highlight her vulnerability, intensity and sweetness.
An interview with the writer/director of Neon’s Longlegs.
A preview of the upcoming summer screening series, running August 1st-29th.
A tribute to actress, writer, and producer Shelley Duvall, a singular film presence.
A report on the Ouray Film Festival, a special event being held every June in the mountains of Colorado.
With his 1996 smash now available in 4K Ultra HD, the action director recalls his first tornado and explains why he wouldn’t want to make modern blockbusters.
In honor of the hit comedy’s 20th anniversary, let’s pay tribute to its secret MVP, whose Veronica Corningstone hilariously cut Ron Burgundy down to size.
Jon Landau was the secret ingredient in James Cameron’s innovative career.
The big winners from the 58th Karlovy Vary International Film Festival.
KVIFF’s Crystal Globe and Proxima winners.
On the 50th anniversary restoration of Sam Peckinpah’s heart-of-darkness Western, courtesy of The Criterion Collection.
The star of Dandelion reflects on exploring her range as a performer and drawing on her memories of Cincinnati to craft one of the film’s standout musical sequences.
Strong performances let the writers take big risks, visualizing therapeutic concepts in ways that would feel trite or over-the-top in a less-skilled production.
The Emperor, I’m afraid to admit, has no clothes.