Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
Might be my favorite season yet.
One of Canada’s most idiosyncratic fantasists discusses the links between Iranian cinema, architecture, and cultural exchange.
A report from this year’s CCA and a list of winners.
Making a case for the need for Joel Schumacher’s particular brand of stylistic indulgence in an increasingly sterile film world.
If nonfiction films are determined to look, feel, and move like fiction, what’s the point of nonfiction filmmaking?
An excerpt from our contributor’s new book about the great Anthony Mann.
A personal report from the Sundance Film Festival with advice for anyone thinking of attending Park City next year.
On a major event at Sundance this year celebrating Gregory Nava’s El Norte.
An interview with the filmmaker behind the Chicago-set indie landmark.
The romance feels real, kinetic, in the way only new relationships can.
On a few of our favorite performances from Sundance 2025.
Three more films added to this year’s incredible Ebertfest line-up.
Links to reviews of the biggest titles on Netflix this month.
Our series on unloved films gets to A.J. Edwards’ Lincoln drama.
It’s a show produced by algorithms and focus groups, a product with no pulse whatsoever.
Three entries from the World Cinema Dramatic program at this year’s festival.
On three very different Sundance biodocs on Marlee Matlin, Sally Ride, and Selena.
On three more from Sundance, including a standout Palestinian-American drama.
All of our extensive coverage of the Sundance Film Festival 2025.