
Cannes 2025: Slauson Rec, Dandelion’s Odyssey, Lucky Lu
On three films that sketch out worlds that are too close for comfort.
On three films that sketch out worlds that are too close for comfort.
Chaz reviews two big releases out of Cannes and conducts two interviews with filmmakers out of the fest.
Two highs and a low mark our latest dispatch from the festival.
On a writer’s favorite and least favorite film from this year’s Cannes competition program.
Today’s dispatch include Jodie Foster’s first French-language film and a sprawling Russian epic about a Nazi monster.
An interview with the author of a new book about teen flicks, from Breakfast Club to Rebel Without a Cause.
On three of the most inventive films out of the fest.
On three films that required significant mullling over at Cannes.
Two films from the Middle East explore the relationship between art and power.
On two films from Cannes about famous French creators.
RogerEbert.com’s Managing Editor weighs in on some of the biggest titles screening at the fest this year.
Excerpts from interviews taken at the red carpet of Chicago’s esteemed critics-led film festival.
The scope of Cannes expands and contracts with three films that either peer into hometowns or box in their cinematic frames.
On the celebrated character actor, who walked tall through Westerns, crime pictures, and spy flicks for 60 years.
Chaz checks in with our Associate Editor at the midway point of the fest.
Our most recent dispatch covers films about various kinds of losses — from family to self.
Two directorial debuts from high-profile actors are explored in our latest Cannes dispatch.
On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.
Ghostly household appliances and a boy from the future mark two of Cannes’ more out-there entries this year.