Fantasia 2026: Ferine, The Eyes, The Mutation
Tales of identity and becoming take both gory and gossamer forms in this latest dispatch from the fest.
Tales of identity and becoming take both gory and gossamer forms in this latest dispatch from the fest.
The director talks about the intersection of artifice and intimacy in his filmmaking and the sexual desire he prays still burns inside Gen-Z audiences.
On three bad-vibes movies from this year’s festival.
Mike Mills looks back on the broader context of his career and to ponder whether the kids are truly all right.
Ebenezer, spaceships, and Leonard Maltin mark our latest dispatch from San Diego Comic-Con.
The filmmaker breaks down his latest film’s links to classic Japanese cinema, and the Buddhist teachings at its center.
Thoughts on films in the upcoming NYC in Transit series.
Our first report from SDCC 2026 on the stories that aren’t being covered everywhere else.
A loving ode to a place that shaped Chicago film criticism.
On how horror shaped Christopher Nolan’s masterful epic.
The lines between cinema, survival, and truth are blurred in three entries from this year’s festival.
Thankfully, “Ransom Canyon’s” second season course-corrects many of the mistakes of its first.
An interview with the director of Drive, Only God Forgives, and this week’s Her Private Hell.
A review of the remake of Halo, one of the biggest games of all time.
The end of the world will probably be funnier.
Time is running out for this particular crew to enjoy their time as a little space family, and it’ll be bittersweet when it’s finally over.
Aliens, gay superheroes, and alt-comic rug-cutters stud our first dispatch from the festival.