Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
In trying to play both sides, “Boots” falls flat tonally.
In trying to play both sides, “Boots” falls flat tonally.
On three films out of the New York Film Festival.
One of the best games of 2025.
An ode to the acclaimed primatologist and conservationist, whose lifelong work was captured beautifully on film for decades.
An interview with the director of a new short about fathers, sons, and gambling.
On an excellent Chicago movie and how it holds up 25 years after its release.
On an amazing 10-film Criterion box set of the films of Wes Anderson.
Falls under the same frustrating spell as so many other animated shows.
On two gory, widescreen odysseys about desperate people pushed into extranatural mysteries, breaking the chains of torment.
An interview with the director of the Apple TV+ limited docuseries about the legendary filmmaker.
On the latest Blu-ray releases, including new films by Wes Anderson, Celine Song, and many more.
The legendary Chicago Tribune film critic on a movie that many have revisited in the wake of Robert Redford’s passing and what it says about today.
Our South Korean correspondent takes another look at the ever-powerful I’m Still Here.
A tribute to a legend.
Combine the sports movie with the prosthetics-based slapstick comedy, and you get Chad Powers, unfortunately
A preview of this year’s event with critical thoughts on Late Fame, Peter Hujar’s Day, and The Mastermind.
A final dispatch from Fantastic Fest on three very different films from three promising directors.
A conversation with Alien: Earth stars Babou Cesay and Sydney Chandler aabout the first season of the hit FX show.
On three imports to Fantastic Fest, including two of the best of this year’s line-up.