Cannes 2025: The Secret Agent, The Love That Remains, Magellan
The scope of Cannes expands and contracts with three films that either peer into hometowns or box in their cinematic frames.
The scope of Cannes expands and contracts with three films that either peer into hometowns or box in their cinematic frames.
On the celebrated character actor, who walked tall through Westerns, crime pictures, and spy flicks for 60 years.
Chaz checks in with our Associate Editor at the midway point of the fest.
Our most recent dispatch covers films about various kinds of losses — from family to self.
Two directorial debuts from high-profile actors are explored in our latest Cannes dispatch.
On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.
Ghostly household appliances and a boy from the future mark two of Cannes’ more out-there entries this year.
Two of our contributors sit down to talk about what they’ve seen (and loved) at Cannes so far.
Today’s Cannes dispatch features tales of women fighting for freedom in Algeria and Chile.
On three movies about difficult childhoods from this year’s Cannes.
Today’s dispatch includes a Sean Baker production and the latest from Oliver Laxe.
Despite the elegant production design and admirable effects, “Murderbot” feels like a sci-fi comedy still searching for identity.
The opening days of the fest included strong words from Palme recipient Robert De Niro on our present political moment.
Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.
A look at the restoration-centered film festival, playing this week at the Jacob Burns Film Center.
Three films tackle deliberately paced tales of people struggling against governmental and bureaucratic systems.
On two challenging dramas from the first full day of Cannes.
The opening night of the fest features a lackluster new release and a venerated classic.