Trust Your Gut: The Role of Conscience in Horror
A feature that looks at that nagging feeling that something is wrong in horror, using Patrick Brice’s Creep and John Hyams’ Alone as examples.
A feature that looks at that nagging feeling that something is wrong in horror, using Patrick Brice’s Creep and John Hyams’ Alone as examples.
A review of the new season of The Bear, which premieres on FX on Hulu on June 22nd.
A feature on being a Black Film Critic in 2023.
A personal piece on a journey through loving video games and passing that down to a son.
A feature on Black representation in animation.
A feature on how Hip-Hop has influenced the film industry, including two of this summer’s biggest films.
A dispatch from Tribeca on three world premieres.
A TV review of the new Marvel/Disney show starring Samuel L. Jackson, Olivia Colman, Emilia Clarke, Martin Freeman, Ben Mendelsohn, Don Cheadle, and more.
An interview with the writer and star of The Blackening.
An interview with director Sam Hargrave about his new Netflix action film, Extraction 2.
The full list of writers who contributed to RogerEbert.com’s Black Writers Week 2023 (June 19-25, 2023).
A review of the third season of The Righteous Gemstones, which premieres Sunday night on HBO.
An updating table of contents for all of our Tribeca 2023 coverage.
A review of the new Walking Dead spin-off series, Dead City.
A closer look at Joseph Losey’s 1963 film, which has just been given a 4K release by the Criterion Collection.
A review of the new FX series The Full Monty, based on the 1997 film.
Juneteenth 2023 marks the beginning of Black Writers Week 2023 at Rogerebert.com, celebrating Black writers, filmmakers, film critics, gamers, musicians, scientists, graduates and others illuminating the African-American experience.
A dispatch on four documentaries that had this world premiere at this year’s Tribeca Film Festival.
A celebration of the late Treat Williams, who passed away on June 12 at the age of 71.