Iris
Written by
Eyre
Eyre Movie Reviews
Blog Posts That Mention Eyre
Phantom Thread, Jane Eyre, and the Power Dynamics of Hetero Romance
“Jane Eyre” is about independence, not romance
Criterion Adds Val Lewton Double Feature to the Collection
A Sense of Hysteria and Chaos: Frances O’Connor and Emma Mackey on Emily
TIFF 2022: Emily, Causeway, The Eternal Daughter
AMC’s Riveting Murder-Mystery Dark Winds Reclaims the Western
Death is Good: The Horror Films of Val Lewton
Book Excerpt: In Their Own Words: Fiction Directors by Alex Heeney
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
The 2020 Oscar-Nominated Scores
What to Watch for Indigenous Peoples’ Day
Franco Zeffirelli: 1923-2019
You Do Not Have to Be Good: On Mary Oliver’s Wild Geese
Thumbnails Special Edition: Women Writers Week 2018
Women Writers Week 2018: Table of Contents
Backbone of the Business: Lesley Manville on Phantom Thread
A Composer For All Seasons: On the Range of John Williams
TIFF 2017: “55 Steps,” “Three Christs,” “The Children Act”
Ebertfest 2017: “Hysteria,” “The Handmaiden,” “Elle”
Bright Wall/Dark Room November 2016: “This Mass of Conflicting Impulses: A Former Teen Narcissist Watches ‘Margaret'” by Lauren Wilford
Guillermo del Toro’s “Monsters” Unleashed at LACMA
Ebertfest 2016: An Interview with Guillermo del Toro
Ebertfest 2016, Day 1: Guillermo del Toro Opens This Year’s Cinematic Theme Park
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Who’s Who In Reviews: Susan Wloszczyna
Streaming Consumer Guide: June 19, 2014
A-List Actors on the Small Screen: From “True Detective” to “The Spoils of Babylon” to “House of Lies”
Joan Fontaine: 1917–2013
Blu-ray Consumer Guide: November 2013
Meet the Writers: Susan Wloszczyna
The Best 10 Movies of 1996
The dying of the light
Complete list of Academy Award nominations
Waiting for greatness at a solid fest
No place for political correctness in film
