Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The Great Beauty" lives up to its name.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.

Mickey Spillane Strips Down to Naked Fury!
Mickey Spillane, the creator of hard-fisted private eye Mike Hammer, has died at the age of 88. Several of his kiss-kiss, bang-bang pulp novels -- including "I, the Jury," "The Long Wait" and "My Gun is Quick" -- were made into movies, and Spillane himself played Mike Hammer in the 1963 picture, "The Girl Hunters" ("Trapped in a Quicksand of Love...").
But the Spillane movie masterpiece is, of course, "Kiss Me Deadly" (1955), directed by Robert Aldrich and scripted by A.I. Bezzerides. It is considered one of the bookend landmarks of the age of full-blown film noir, beginning (roughly) with Billy Wilder's "Double Indemnity" (1944), and one of the most florid examples of that post-war style.
Recently, we featured Kim Morgan's appreciation of the opening shot of "Kiss Me Deadly," which is worth re-visiting. As Kim describes this crazy Pandora's Box of a movie (the inspiration for the glowing MacGuffin/Great Whatzit suitcase in "Pulp Fiction"), it's filled to bursting with "stark, hard-boiled cruelty, paranoia, insanity and psycho-sexual angst." That's a great capsule description, not only of this particular film, but of the Spillane sensibility in general.

Likewise, Roger Ebert summed up essential qualities of the world created by Spillane and his chain-smoking, wise-cracking partners in crime in his brief "Guide to Film Noir":
Film noir is . . .
1. A French term meaning "black film," or film of the night, inspired by the Series Noir, a line of cheap paperbacks that translated hard-boiled American crime authors and found a popular audience in France.
2. A movie which at no time misleads you into thinking there is going to be a happy ending.
3. Locations that reek of the night, of shadows, of alleys, of the back doors of fancy places, of apartment buildings with a high turnover rate, of taxi drivers and bartenders who have seen it all....
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The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...
At Cannes, the Coen brothers discuss their inspirations for "Inside Llewyn Davis."
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.