In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

Thumb same kind of different as me

Same Kind of Different as Me

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…

Thumb mv5bnda4ymmwmgity2mzos00odjilthmzdetyza5ngu4zjq5yjhixkeyxkfqcgdeqxvynjk5nda3otk . v1 sy1000 cr0 0 674 1000 al


God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives



Stardust Movie Review

A fantasy, even a comic fantasy, needs above all to be lean and uncluttered. Only reality is untidy. The classic fantasy structure involves the hero, the quest, the prize and what stands in the way. It is not a good sign that almost the most entertaining element of "Stardust" is Captain Shakespeare appearing from the skies in his dirigible pirate ship. Shakespeare, played by Robert De Niro as a transvestite swashbuckler (swishbuckler?) is wonderful, but he should be forced to wear a badge saying, "Hi! I'm the deus ex machina!"


There are lots of other good things in the movie, but they play more like vaudeville acts than part of a coherent plot. It's a film you enjoy in pieces, but the jigsaw never gets solved. I liked it, but "The Princess Bride" it's not.

The plot, by Neil Gaiman, based on his novel: England is separated from the fantasy kingdom of Stormhold by a wall. Inside the wall, in a village conveniently named Wall, lives a plucky lad named Tristan (Charlie Cox), who is in love with a lass named Victoria (Sienna Miller). He fears losing her to a rival, but one night they see a shooting star fall inside the wall, and he vows to retrieve it for her.

It is not very hard to get through the wall, which is an example of Stormhold's crumbling infrastructure. Tristan's father was once able to bound through a gap in the wall, but Tristan has more trouble with an ancient guard and employs a magic candle which, by definition, works its magic. Inside, he discovers that the star is, in fact, a beautiful girl with long blond tresses named Yvaine (Claire Danes). I think her name makes her a sort of vain Yvonne. She possesses such secrets as eternal life, which are worth having, and so there's a rivalry for her powers.

In this corner: Three Macbethesque witches (Gaiman is a fan of Shakespeare), led by Lamia (Michelle Pfeiffer), who believe Yvaine can restore their beauty. In the other corner: The Learesque King Stormhold (Peter O'Toole), with three living sons and four dead ones, who appear in black and white as Hamlet's fatheresque ghosts. (Note to editors: Why can't that be a word?) The dying king believes Yvaine can restore his throne to his living sons, although let's hope he doesn't try dividing the kingdom among them.


Tristan is on his own among these scoundrels. At least he has Yvaine's sympathy. As the only one who doesn't want to rip out her heart and eat it, he has much to recommend him. Lamia, meanwhile, begins by looking like Michelle Pfeiffer but the more she employs her black magic, the more she looks like Peter O'Toole, who has already gone about as far as he can go.

Meanwhile, Captain Shakespeare sails in like an outtake from "Baron Munchhausen" and hopes to pillage, plunder and provide comic relief. The movie becomes very busy at this point, and Tristan's quest to win Victoria's heart is upstaged by everybody else's quest to eat Yvaine's.

Still, Gaiman's many admirers will be familiar with the material and find their way around, and director Matthew Vaughn lays on the special effects; the movie is not boring, just cluttered and not focused enough. There is a kind of narrative flow that makes you want to be swept along, and another that's just one thing after another. "Stardust" is fun enough the first time through, but it doesn't pass the Derek Malcolm Test: "A great movie is a movie I cannot bear the thought of never seeing again."

Popular Blog Posts

The Fall of Toxic Masculinity and the Rise of Feminine Consciousness

A special edition of Thumbnails detailing the recent sexual harassment cases in the entertainment and tech industries...

Oscars Could Be Facing Dearth of Diversity Yet Again

A column on the lack of diversity in this year's potential Oscar nominees.

"Blade Runner" vs. "Blade Runner 2049"

A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."

Tears of a Machine: The Humanity of Luv in "Blade Runner 2049"

No character in “Blade Runner 2049” is more relatably human than Luv.

Reveal Comments
comments powered by Disqus