Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Nia Vardalos plays most of "My Life in Ruins" with a fixed toothpaste smile, which is no wonder, because her acting in the film feels uncomfortably close to her posing for a portrait. Rarely has a film centered on a character so superficial and unconvincing, played with such unrelenting sameness. I didn't hate it so much as feel sorry for it.
Vardalos plays Georgia, an American tour guide in Athens, in rivalry with Nico (Alistair McGowan), who always gets assigned the new bus with the well-behaved Canadians, while our girl gets the beater containing a group of walking human cliches who were old when "If It's Tuesday, This Must Be Belgium" was new. You got your loud Yankees, your boozy Aussies, your prowling Spanish divorcees, your ancient Brits and of course your obligatory Jewish widower who is laughing on the outside and mourning on the inside.
These characters are teeth-gratingly broad and obvious, apart from Richard Dreyfuss, who brings life, maybe too much life, to Irv, who tells bad jokes even though he is old enough to have learned funnier ones. To him, I recommend the delightful Web site www.oldjewstellingjokes.com, where every single old Jew is funnier than he is. Irv of course eventually reveals a sentimental side and does something else that is required in the Screenplay Recycling Handbook. (Interested in reading it? Send in $5. I won't mail it to you, but thanks for the money. Rim shot, please.)
The central question posed by "My Life in Ruins" is, what happened to the Nia Vardalos who wrote and starred in "My Big Fat Greek Wedding"? She was lovable, earthy, sassy, plumper, more of a mess, and the movie grossed more than $300 million. Here she's thinner, blonder, better dressed, looks younger and knows it. She's like the winner of a beauty makeover at a Hollywood studio. She has that don't touch my makeup! look. And if anyone in Hollywood has whiter, straighter, more gleaming teeth, we'll never know it, because like most people, they'll usually keep their lips closed.