It’s exciting to see Shyamalan on such confident footing once more, all these years later.
The funniest scene in "Muppets From Space'' is the first one, where Gonzo is refused a place on Noah's Ark because he is one of a kind. Then he wakes up and realizes it was all only a nightmare. But when it's later revealed that Gonzo is, in fact, an alien from outer space, stranded on our planet, we can sympathize with his feelings: Ever since the crash-landing near Roswell, N.M., he's been alone and lonely, the odd man out, living in a Muppet boarding house. Poor guy (or whatever he is).
The new Muppets movie lacks the kind of excitement the first ones generated, maybe because Muppets have become a little dated, except for younger viewers. Or maybe because the kinds of animals in the two "Babe'' movies show such an advance in special effects that we almost wonder why the Muppeteers go to all that trouble to physically manipulate their creatures.
I know that's heresy. I know we're supposed to embrace and defend Muppets because they are real, or at least more real than digital creatures, and because their personalities are more important than their special effects. But somehow "Muppets From Space'' seemed a little disconsolate, a little low in energy, as if the ship (or the ark) had sailed.
Maybe that's because the best of the Muppets don't star this time. Kermit is reduced to a hop-through, Miss Piggy is a TV journalist, and most of the big moments belong to Gonzo, the weird-nosed one, who moons about looking alienated and lonely, and eats alphabet cereal that spells out messages for him, such as "Watch the Sky.'' His space people are returning for him, forcing him to choose between Muppets and his alien relatives. The alien visit to Earth excites the attention of a government agent (Jeffrey Tambor, who played the announcer on the "Larry Sanders Show''), and there are nudges of satire in the direction of "Men in Black'' (Hulk Hogan is a man in black), but after the excitement of the human/animal interaction in "Babe'' and "Babe, Pig in the City,'' I dunno: It's like we've been there, done that.
This message came to me from a reader named Peter Svensland. He and a fr...
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidenc...
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.
One of the most audacious American films from the 1960s is now available via the Criterion Collection.