xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
"Moonlighting" is a wickedly pointed movie that takes a simple little story, tells it with humor and truth, and turns it into a knife in the side of the Polish government. In its own way, this response to the crushing of Solidarity is as powerful as Andrzej Wajda's "Man of Iron." It also is more fun.
The movie takes place in London, during the weeks just before and after the banning of the Solidarity movement in Poland. It begins, actually, in Warsaw, with a mystifying scene in which a group of plotters are scheming to smuggle some hardware past British customs. They're plotters, all right; their plot is to move into a small house in London and remodel it, knocking out walls, painting ceilings, making it into a showplace for the Polish government official who has purchased it.
The official's plan is simplicity itself: By bringing Polish workers to London on tourist visas, he can get the remodeling done for a fraction of what British workman would cost him. At the same time, the workers can earn good wages that they can take back to Poland and buy bicycles with. The only thing nobody counts on is the upheaval after Solidarity is crushed and travel to and from Poland is strictly regulated.
Jeremy Irons, of "The French Lieutenant's Woman," plays the lead in the film. He's the only Polish workman who can speak English. Acting as foreman, he guides his team of men through the pitfalls of London and safely into the house they're going to remodel. He advises them to keep a low profile, while he ventures out to buy the groceries and (not incidentally) to read the newspapers. When he finds out about the crisis in Poland, he keeps it a secret from his comrades.