Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Sally Hyde makes an ideal wife for a Marine: She is faithful, friendly, sexy in a quiet way, and totally in agreement with her husband's loyalties. Since his basic loyalty is to the Marine Corps, that presents difficulties at times. ("You know what they tell them," a girlfriend says. "'If the Marine Corps had wanted you to have a wife, they would have issued you one.'") Still, she's reasonably happy in the spring of 1968, as her husband prepares to ship out for a tour of duty in Vietnam. There's every chance he'll get a promotion over there. And the war, of course, is for a just cause, isn't it? It has to be, or we wouldn't be fighting it.
That is the Sally Hyde at the beginning of Hal Ashby's "Coming Home," an extraordinarily moving film. The Sally Hyde at the end of the film -- about a year later -- is a different person, confused in her loyalties, not sure of her beliefs, awakened to new feelings within her. She hasn't turned into a political activist or a hippie or any of those other radical creatures of the late 1960s. But she is no longer going to be able to accept anything simply because her husband, or anybody else, says it's true.
"Coming Home" considers a great many subjects, but its heart lies with that fundamental change within Sally Hyde. She is played by Jane Fonda as the kind of character you somehow wouldn't expect the outspoken, intelligent Fonda to play. She's reserved, maybe a little shy, of average intelligence and tastes. She was, almost inevitably, a cheerleader in high school. She doesn't seem to have a lot of ideas or opinions. Perhaps she even doubts that it's necessary for her to have opinions -- her husband can have them for her.
When her husband (Bruce Dern) goes off to fight the war, though, she finds herself on her own for the first time in her life. There's no home, no high school, no marriage, no Officers' Club to monitor her behavior. And she finds herself stepping outside the role of a wife and doing ... well, not strange things, but things that are a little unusual for her. Like buying a used sports car. Like renting a house at the beach. Like volunteering to work in the local Veterans' Administration hospital. That's where she meets Luke (Jon Voight), so filled with his pain, anger, and frustration. She knew him vaguely before; he was the captain of the football team at her high school. He went off to fight the war, came home paralyzed from the waist down, and now, strapped on his stomach to a table with wheels, uses canes to propel himself furiously down hospital corridors. In time, he will graduate to a wheelchair. He has ideas about Vietnam that are a little different from her husband's.