The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
I went to see "Benjamin" with high anticipation, having been promised by the New Yorker that it was a "delicate masterpiece of voluptuous physical grace and refined libertinage." But my standards of voluptuous physical grace, not to mention libertinage, must be more severe than the New Yorker's. I was bored. Give me Candy Barr anytime.
The story, such as it is, has been lifted from every other pornographic novel ever written. A young lad named Benjamin is taken by his faithful old servant to visit his rich aunt, the Countess de Valandry. That should be a tip-off: Countesses are never up to any good in this sort of enterprise.
Benjamin is something of a slob to begin with; doesn't clean between his toes and that sort of thing. But his aunt's devoted household staff, consisting mainly of bosomy young maids, civilize him in no time at all. Dressed in regal finery and trained overnight in court manners, the innocent young Benjamin sallies out into the great amoral world of seduction and intrigue. If this begins to read as if it were copied off the back of a paperback novel, perhaps it was.
Let's see. Benjamin's aunt and uncle run a wide-open household, in which everyone is dashing in and out of bedroom doors like the Marx Brothers. The maids keep the kitchen hopping. A series of lush young ladies do their best to deflower Benjamin, but, alas, they never quite succeed.
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