In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_alice_through_the_looking_glass

Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Reviews

Bedknobs and Broomsticks

  |  

"Bedknobs and Broomsticks" is the new Disney production from the team that made "Mary Poppins," and it has the same technical skill and professional polish. It doesn't have much of a heart, though, and toward the end you wonder why the "Poppins" team thought kids would like it much. They sit still for part of it; they like the flying bed and the scenes with animated animals, and when the empty suits of armor attack the Nazis there's a kind of Creature Features enjoyment.



But what are Nazis doing in this picture, anyway? And why is it necessary for a character to exclaim, toward the end of the movie: "We have driven the Hun into the sea?" What do kids know from Huns anyway?

The Disney people seem to be drifting farther and farther away from a sympathetic understanding of what kids really enjoy at the movies. Sometimes they try to pass off their sad, dumb movies as "family entertainment" -- so that if the kids don't like it, maybe the older members of the family will. This is a pathetic sort of self-deception on their part, I guess; the Disney organization is worst when it makes "family entertainment" and best when it sticks to pure, simple, charming fantasy.

Take the scene in "Bedknobs and Broomsticks" when the characters visit Naboombuland, for example. This is a strange land where the animals rule, and we're given several charming scenes where the human characters meet the animated ones. I've always especially liked this Disney technique; "Song of the South" was a classic. There's magic in it: real movie magic, and not just ambitious special effects. And everybody in the theater just sort of relaxes and enjoys it.

There could be an entire feature based on Naboombuland. It could be a picaresque voyage through this strange cartoon territory, taking advantage of the sly visual jokes you can make when "reality" meets animation. It would be the kind of movie people keep hoping Disney Productions will make again.

But, no, they've got to muck things up with a story set in 1940 England, where three kids help a real witch (Angela Lansbury) and a fake magician (David Tomlinson) repel a Nazi invasion. Kids like villains they have been introduced to. They like to meet evil old queens and tyrannical kings and pirates and alligators. They KNOW these types are up to no good. But...Nazis? And without character development? Nazis can be used as shorthand in adult movies, where it's unnecessary to establish their villainy, But 5-year-olds don't automatically know Nazis are bad guys (and a Disney movie is the wrong place for them to learn, anyway). So the Hun is driven into the sea and the kids to the john and the candy counter.

There are all sorts of other buried psychological problems in the recent Disney movies. How can we explain, for example, the almost complete absence of competent male figures? The Disney male leads are fumbling, dimwit, slightly ridiculous Dagwoods, while the females are almost always bright, right, organized and born leaders. Dean Jones and Fred MacMurray are the two archetypal Disney leads, and David Tomlinson (otherwise a good actor) is in the same tradition here. I have a hunch that if you had a strong, highly motivated lead in one of these pictures it would show up the flabbiness of the whole conception.



Popular Blog Posts

I believe Dylan Farrow

Separating the artist from the art isn't as easy as it sounds.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?

Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.

Cannes 2016: "Graduation," "The Neon Demon"

Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."

Reveal Comments
comments powered by Disqus