A consistently intelligent (or at least bright), coherently constructed comedy that is on occasion a rather pointed critique of the American education system in the…
Oh, what a lovely film. I was almost hugging myself while I watched it. "Almost Famous" is funny and touching in so many different ways. It's the story of a 15-year-old kid, smart and terrifyingly earnest, who through luck and pluck gets assigned by Rolling Stone magazine to do a profile of a rising rock band. The magazine has no idea he's 15. Clutching his pencil and his notebook like talismans, phoning a veteran critic for advice, he plunges into the experience that will make and shape him. It's as if Huckleberry Finn came back to life in the 1970s, and instead of taking a raft down the Mississippi, got on the bus with the band.
The kid is named William Miller in the movie; he's played by Patrick Fugit as a boy shaped by the fierce values of his mother, who drives him to the concert that will change his life, and drops him off with the mantra "Don't do drugs!" The character and the story are based on the life of Cameron Crowe, the film's writer-director, who indeed was a teenage Rolling Stone writer, and who knows how lucky he was. Crowe grew up to write and direct "Say Anything" (1989), one of the best movies ever made about teenagers; in this movie, he surpasses himself.
The movie is not just about William Miller. It's about the time, and the band, and the early 1970s, when idealism collided with commerce. The band he hooks up with is named Stillwater. He talks his way backstage in San Diego by knowing the band members' names and hurling accurate compliments at them as they hurry into the arena. William wins the sympathy of Russell Hammond (Billy Crudup), the guitarist, who lets him in. Backstage, he meets his guide to this new world, a girl who says her name is Penny Lane (Kate Hudson). She is not a groupie, she explains indignantly, but a Band Aide. She is, of course, a groupie but has so much theory about her role, it's almost as if sex for her is a philosophical exercise.
William's mom, Elaine (Frances McDormand), is a college professor who believes in vegetarianism, progressive politics and the corrupting influence of rock music. Banning the rock albums of her older daughter Anita (Zooey Deschanel), she holds up an album cover and asks her to look at the telltale signs in Simon and Garfunkel's eyes: "Pot!" Anita leaves, bequeathing her albums to William, who finds a note in one of them: "This song explains why I'm leaving home to become a stewardess." Its lyrics are: "I walked out to look for America." That's what William does. He intends to be away from school for only a few days. But as Russell and the rest of Stillwater grow accustomed to his presence, he finds himself on the bus and driving far into the Southwest. Along the way, he observes the tension between Russell and Jeff Bebe (Jason Lee), the lead singer, who thinks Russell is getting more attention than his role definition deserves: "I'm the lead singer, and you're the guitarist with mystique." William has two guardian angels to watch over him. One is Penny Lane, who is almost as young as he is, but lies about her age. William loves her, or thinks he does, but she loves Russell, or says she does, and William admires Russell, too, and Russell maintains a reserve that makes it hard to know what he thinks. He has the scowl and the facial hair of a rock star, but is still only in his early 20s, and one of the best moments in the movie comes when William's mom lectures him over the phone about the dangers to her son: "Do I make myself clear?" "Yes, ma'am," he says, reverting to childhood.