The Second Mother
A domestic comedy-drama that starts off from a fairly pat premise but builds strength over the course of its careful, empathetic, and crafty unpeeling of…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
"The Wes Anderson Collection" continues with a video essay on "The Life Aquatic with Steve Zissou," probably Anderson's most widely disliked feature, and MZS's personal favorite.
PARK CITY, Utah -- I took a day off to cover the Oscars, and I'm nine films behind. That's nine I've seen, not nine I've missed. They are so various and in many cases so good that the problem is to write about them without sounding like a crazed cinemaniac.
The films of John Cassavetes come in a deluge of words and emotions, of grand and sad gestures, of characters who want to love and don't know how. His people are often balanced between the terror and exhilaration of manic-depression. Since he uses the same friends and family members again and again, since he sometimes uses his homes as locations, there is a feeling sometimes that he's cutting close to the bone: His movies are the autobiography of his emotions.
CANNES, France -- On the day that he won the best actor award at the Cannes Film Festival, Sean Penn sat with his wife, Robin Wright, and co-star John Travolta and talked about the spirit of John Cassavetes.
There is no such thing as a critic being right or wrong. He expresses his opinion, and that's that. Yet when "Indecent Proposal" took off into the box office stratosphere, the showbiz analysts chortled that the critics had missed the boat. The film opened to nearly unanimous negative reviews, and yet the public couldn't wait to see it. And the "exit surveys" indicated they liked it, too.
Between Beverly Hills and the Valley. He came around a curve and saw a car coming straight at him - a driver trying to pass five cars. On one side of Beatty was oncoming traffic. On the other side was a 100-foot drop.
Our film critic, Roger Ebert, steps out into the light, blinks his eyes and shares some of the good memories.