Roger Ebert Home

Randy Quaid

Reviews

Goya's Ghosts (2007)
Hard Rain (1998)
Last Dance (1996)
Kingpin (1996)
Bye Bye, Love (1995)
Texasville (1990)
Quick Change (1990)
Parents (1989)
No Man's Land (1987)
Fool For Love (1985)
Foxes (1980)
Breakout (1975)

Blog Posts

Ebert Club

#122 July 4, 2012

Marie writes: If you're anything like me, you enjoy a good book cover as much as a good story; the best often speaking to inspired graphic design. Indeed, I know I'm not alone in my admiration...Welcome to "The Book Cover Archive" for the appreciation and categorization of excellence in book cover design; edited and maintained by Ben Pieratt and Eric Jacobsen. On their site, you can gaze lovingly at hundreds of covers complete with thumbnails and links and even the name of the type fonts used. Drool....

{click image to enlarge]

Movie Answer Man

Movie Answer Man (11/03/2002)

Q. The MPAA rating for "Jackass" gives the film an R for "dangerous, sometimes extremely crude stunts, language & nudity." Ignoring the "extremely crude" remark (which seems to be more of an aesthetic judgment), aren't all stunts "dangerous?" Regardless of the danger or crudity how in the hell can a movie (stop reading if you are eating) show a guy make his own yellow sno-cone (you know what I mean), consume said sno-cone and then regurgitate said sno-cone and only get an "R"--while Paul Schrader has to pixelize grainy video footage before he can get an "R" for "Auto Focus"? (Peter Sobczynski, Chicago)

Interviews

Bill Murray, "Quick Change" artist

Bill Murray dribbled into the hotel suite and sank the basketball in a chair in the corner. He was wearing your average after-school jock's uniform of jeans, a T-shirt, and designer running shoes, and he said he needed a shave. He disappeared into the bathroom and then stuck his face out again, covered with lather, and asked, "How do you plan to explain your one-star review of 'Scrooged'?"

Interviews

Interview with Ann-Margret (1983)

The walls of Roger Smith's office are covered with pictures of Ann-Margret. Here she is as a sex kitten, on the cover of Life. There's a cover from Entertainment World, a forgotten show business magazine. All in a row are three recent covers of People. And here are an oil painting of Ann-Margret, and a lot of cartoonist's caricatures, and some framed ads and telegrams and the usual backstage memorabilia. In one corner, almost hidden behind a file cabinet, is Roger Smith's only souvenir of his own career: A framed ad for his stage appearance as a folk singer at the "hungry i" nightclub in San Francisco, in 1964.