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Citizenfour

Though superlatives can mischaracterize any movie’s qualities, it is not an overstatement, I think, to call “Citizenfour,” Laura Poitras’ film about Edward Snowden, the movie…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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The best action movies since "Die Hard"; reminiscence of Allen Ginsberg; grading a letter by GOP House members; too many "women's hookup stories"; Stevie Wonder to boycott Florida over "Stand Your Ground" law; Samuel Fuller's "White Dog."

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White Dog: Video essay about a trained racist

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A young black boy deemed suspicious for wearing a hoodie. A black head of state depicted as a primate. Extremist political parties masking bigotry behind nationalism. Google the word "racism" and you'll find a vast array of news items showing that this most basic form of bigotry is alive and well.

There have been many films big and small which have addressed the subject. But only one comes to mind with racism as an actual character: the controversial drama "White Dog," directed by Samuel Fuller, based on the novel by Romain Gary.

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'Baby' stages late-round Oscar rally

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HOLLYWOOD - "Million Dollar Baby" scored a late-round rally Sunday night at the 77th annual Academy Awards as Clint Eastwood's movie about a determined female boxer won for best picture and took Oscars for actress (Hilary Swank), supporting actor (Morgan Freeman) and director (Eastwood).

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Martin Ritt focused on social issues

He was a large, genial, thoughtful man who was not quite your picture of a big-time Hollywood director. For one thing, he wore a jump suit everywhere he went. He had a closet full of them, in different colors and fabrics, and there was even a black-and-white "formal" jump suit that he wore with a bow tie to the Academy Awards. He said he didn't like to waste time every morning deciding what to wear for the rest of the day. He had better things to think about.

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Interview with Robert Radnitz

The boy is 11 or 12, and he lives on a sharecropper farm with his parents, his brother and his sister. His parents are people of enormous dignity and strength - qualities the white community did not prize among blacks in the Louisiana of 1930. But they attempt

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