300: Rise of an Empire
In comparison with "300", this insane film is more engaging by dint of being absolutely impossible to take even a little bit seriously.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
• Toronto Entry #4There is a Truffaut film, rarely seen, named "The Green Room," based on the Henry James short story "The Altar of the Dead." That was about a man whose constant companions were the friends he had lost. He was faithful to their shrines in his memory. The term for his obsession is thanatopsis, a meditation upon death. Truffaut himself plays the hero of his film, and maintains a little chapel to the memory of his late wife and other loved ones. Nathalie Baye plays a woman he meets who shares his devotion, and it seems possible they may find happiness together, but she cannot reach him because his mind seems to reside in the next world.
I walked into the hotel room in Chicago and saw Isabelle Huppert talking to her baby, and the first thing I asked her was whether she remembered the Chateau Benefiat on Avenue Solo Mio in Cannes.
Cannes, France – These last few days at the Cannes Film Festival always seem devoted to handicapping the prize ceremony. The critics and cineastes gather in the Blue Bar, that jam-packed cafe under the very awnings of the Palais du Festival, and speculate on the winners, which will be announced Friday afternoon.
Cannes, France – It requires a certain amount of cinematic gear-shifting to jump from film to film here at the Cannes Film Fes¬tival. During the last few days, for example, I’ve seen Federico Fellini’s bizarre new study of feminism, Bertrand Tavernier’s thoughtful portrait of a young schoolteacher in Lyon, a Canadian thriller named “Double Negative,” and the British punk rock heroes, the Sex Pistols, in “The Great Rock and Roll Swindle.”