The Magnificent Seven
Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Paul Weitz, writer/director of Grandma.
The verdict on "Orange Is The New Black: Season 2"; Three masters and their audience; Arthur C. Clarke predicts the Internet; Nathan Rabin on "Blue Steel"; Indie alternatives to "Edge of Tomorrow."
"The To Do List" may not be a film of great substance, but this comedy about a young girl’s strange, semi-erotic journey from untouched maiden to minx accomplishes something both rare and significant for a teen movie: it places a female character in the central role as unapologetic sexual aggressor.
Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...
Siskel & Ebert fight over a toy train (1988)
Marie writes: Next door, across a long narrow drive and beyond the row of cedar hedges which run parallel to it, there resides an elementary school dating back to 1965, along with an assortment of newer playground equipment rendered in bright, solid primary colors...I'm sure you know the sort I mean...
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Q. Homage alert! Did you notice the striking similarities between Amy Heckerling's "Loser" and Billy Wilder's "The Apartment"? The skeletal plots are identical: Nerdy guy has a crush on a woman who likes him but who, in turn, has a crush on an authority figure who's taking advantage of her. Beyond that, there are several scenes in "Loser" that echo Wilder's film: (1) In "The Apartment," Shirley MacLaine stands up Jack Lemmon at a performance of "The Music Man." In "Loser," Jason Biggs is stood up at a concert. (2) In "The Apartment," a good doctor pumps Shirley MacLaine's stomach and gives a warning to Lemmon, who pretends to be her boyfriend. In "Loser," a good doctor pumps Mena Suvari's stomach and gives a warning to Biggs who pretends to be Suvari's boyfriend. (3) In "The Apartment," Lemmon's unsavory superiors party at his place and he has to clean up afterwards. In "Loser," Bigg's unsavory roommates party at his place and he has to clean up afterwards. (4) In "The Apartment," MacLaine stays at Lemmon's place to recuperate and he offers to cook for her. In "Loser," Suvari stays at Biggs' place and he offers to cook for her. (5) At the end of "The Apartment," Fred MacMurry complains to MacLaine how Lemmon "threw that big, fat promotion in my face." At the end of "Loser," Greg Kinnear complains how Biggs' threw a big A grade back in his face. (6) Both films end with the heroine finally wising up and rushing back to the hero's apartment/animal hospital quarters for a happy ending. Are you as shocked/impressed as I am? (Joe Baltake, film critic, Sacramento Bee)