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The Maze Runner

What’s intriguing about “The Maze Runner”–for a long time, at least–is the way it tells us a story we think we’ve heard countless times before…

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20,000 Days on Earth

In his music, he routinely celebrates/deconstructs his public persona: brutalizer, coward, agnostic, and wannabe deity. "20,000 Days on Earth" is accordingly not a biography, but…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Ebert's Most Hated

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EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessarily his pleasure -- to report them (fairly, accurately) as he sees them. Whether they're so bad they're funny, so bad they're not funny, or so unfunny they're not funny, he must critique them. From bad Elvis to Deuce Bigalow, these are excerpts from reviews of some of the worst movies he's ever seen. (Click on the titles for the full reviews.) It's not just their measly ratings -- from zero to 1.5 stars -- but what Ebert has to say about them that really conveys their true awfulness.

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Samuel Z. Arkoff: In Memorium

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Samuel Z. Arkoff, who in some ways invented modern Hollywood, died Sunday of natural causes in a Burbank hospital. The co-founder of American-International Pictures and the godfather of the beach party and teenage werewolf movies was 83.

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Interview with Warren Beatty

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LONDON - No film in the last 10 years has gotten better reviews in London than Warren Beatty's "Bonnie and Clyde," which opened here last week and in Chicago Friday. Beatty had all the reviews clipped out and stuck in a cardboard folder, which was resting on the coffee table in his room at the Gloucester Hotel. He kept pointing to the folder as if it was an exhibit and this was a trial.

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