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A fascinating piece of work that approaches “Citizenfour” in its deconstruction of governmental failure and the systems underneath the war on terror that are not…



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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TIFF: Death and the Madre

View image Three Women of "Volver": Sister, niece/daughter, sister.

The dry east wind that howls through the little village in La Mancha where Pedro Almodovar was born, and where his latest film "Volver" begins, brings with it unease, fire and insanity. In the opening shot, it blows crisp dead leaves across marble graves, while women dust and polish the stones. Sometimes, they even come by to clean their own graves. It's just another housekeeping chore.

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Cannes #10: Guessing games


CANNES, France –- All rumors about the prizes at Cannes are essentially worthless. Why don’t I know this? I could make up my own and do just about as well. It is apparently true that Sam Jackson told somebody there were going to be “big surprises” when the awards were announced, and there were; never before has a jury honored the casts of two films with ensemble acting awards, and certainly no one predicted that Ken Loach’s “The Wind That Shakes the Barley” would win the Palme d’Or. When it did, there was much agreement, and, yes, much surprise.

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