Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
"Altered States" opens with the image of a fluorescent, egglike shape surrounded by darkness. It is a window. From below, in comes a floating human figure (William Hurt as Prof. Eddie Jessup), who appears to be immersed in liquid. Surrounded as he is by the dark oval frame of the window, he resembles an embryo inside a mother's womb. The camera slowly tracks back to reveal that Jessup is inside a horizontal tank in an empty room. As it tracks back even further, the viewer detects the edges of a second window, rectangular this time. In front of that window sits a bearded scientist in a laboratorium, who carefully monitors the room with the tank holding Eddie Jessup.
In the film, science tries to discover the essence of the Self by use of altered states of consciousness. The opening shot prepares the audience for this very process by taking the viewer through different layers/windows of counsciousness: from the symbolic birth of the Self, via self-awareness, to self-examination; from subjectivity to objectivity. The soundtrack amplifies this trajectory, going from bubbly water effects and steady breathing through an oxygen mask, to the buzz of lab equipment and clicking of buttons.
Peter Gelderblom, founder / contributing editor at www.24LiesASecond.com
JE: Beautifully done, Peter! I love the use of sound in this shot, too: From the very first moments you have this feeling of being immersed in an individual's interior consciousness -- which is where the drama of the movie really plays out.
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