Juno plus Lolita.
This 2018 release feels like it arrived fresh from 1974, and that is what makes it a delight.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
by Chaz Ebert
Chaz writes to Roger about attending the Oscars without him.
An obituary for Leonard Doyle, our cherished Ebertfest greeter at the Virginia Theatre.
by Matt Zoller Seitz
It's not uncommon to feel blue.
by Omer M. Mozaffar
A piece examining the themes in the three films directed by Ryan Coogler and starring Michael B. Jordan.
by Seongyong Cho
A gritty but electrifying mix of character study and crime drama.
Balder and Dash
by Q.V. Hough
Andersson remains one of cinema’s most undervalued icons.
by Nick Allen
A review of the new Superman prequel series, which premieres tomorrow on the Syfy channel.
Named after the David Cronenberg film, this is the blog of former RogerEbert.com editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Next Article: The Ed Hardy Boyz 2: The Case of When That Hot Filipina Girl Lost Her Tramp Stamp At Mini-Golf
Previous Article: Ebertfest photoblog: Day 4
A review of Steven Spielberg's "Ready Player One" from the SXSW Film Festival.
Netflix's "Wild Wild Country" is easily one of the craziest documentaries I’ve ever seen.