In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

Thumb dogs

Isle of Dogs

As entertaining as it is to look at Isle of Dogs, I couldn’t get past Anderson’s usual clumsiness when dealing with minorities.

Thumb v5hlmjk9bdehxn2qhafp1ivjx3u

Pacific Rim Uprising

I'm writing this review in a hurry because every hour that I wait makes it harder to remember any specific thing that happens in Pacific…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives

Bud Uglly: Back to the Future


Bud Uglly, circa 1998. From '80s graphic design to the early WWW to today's MySpace...

(For The Reeler's Totally Unrelated Blog-a-thon.)

In the mid- to late-1990s, the heyday of Dan's Gallery of the Grotesque and Justin's Links From the Underground (the infamous proto-blog), one of the funniest and most distressing sites on what was then called the World Wide Web (even before the unfortunate, now-extinct phrase "trip-dub") was Bud Uglly.


Remember when everything looked kinda like this?

It took forever to load, it was excruciatingly cumbersome in every way (the exclusive Bud-Nav System© made getting around the site not only near-impossible but meaningless, and made me laugh until I cried), jammed with a whole mess of frames, randomly flashing animated .gifs, garish backgrounds, hideous embedded audio files (MIDI), tortuous typos, spastic fonts -- virtually nothing you'd want in a web site and much, much more. In other words, it anticipated the typical MySpace page by several years. In its contrived busyness and unreadability, it also captured the look of nearly every post-punk/"new wave" mag, fanzine and album cover (especially on Arista) of the 1980s -- which, in retrospect, far outstrips the 1970s for sheer bud-uglliness. Indeed, Bud Uglly's nihilistic irreverence (and/or irrelevance) virtually exemplified Postmodernist aesthetics. (Typical instructions: "WAVE your MOUSE around to activate and use this control.")



They don't make these colors anymore.

Best of all, it was a commercial pitch for a firm offering "the most cutting edge in webpage manegment and design," formed by "the Manegorial team" of ex-Studio 27 artist Bud Uglly and his younger brother Berry Uglly, who "is cerently working on 'Phil's Carwash on the Web' as well as a website for 'Martha's Stormdoor polishing service'" after "studiing at the Roosevelt grade school for the design impared..."


Fortunately for web historians, various incarnations of Bud Uglly, v. 1.0-4.0, have been archived to remind us of that glorious time from September 1996 to October 1998, during which "the site was updated weekly and new features were constantly added until it became so bloated it finally had to be shot." Then some more stuff happened, too.

Also included: "Scooter Ride Through Hell," "Uranus Teenysystems 1999 Webputer" Ron's Too Fast Homepage," "Photobooth," "Payne Philburns Jamaican Web-Tan," "Ow!" and "Crazy Joe's Internet Bungee Jump."

Popular Blog Posts

Netflix Docuseries "Wild Wild Country" is Fascinating Entertainment

Netflix's "Wild Wild Country" is easily one of the craziest documentaries I’ve ever seen.

SXSW Film Festival 2018: “Ready Player One”

A review of Steven Spielberg's "Ready Player One" from the SXSW Film Festival.

We’re Still the Lunatics: A Special Edition of “The ‘Burbs”

An appreciation of Joe Dante's The 'Burbs on the eve of its Blu-ray Special Edition release.

Prestigious, Expensive Adaptation of “The Terror” Debuts on AMC

A review of AMC's The Terror, based on the book by Dan Simmons.

Reveal Comments
comments powered by Disqus