Pieter Brueghel, “Landscape with the Fall of Icarus” c. 1558.
Today, I’ve been writing about “The Bridge” (opening in Chicago next week), a documentary about the stories of people who jumped to their deaths from the Golden Gate Bridge in 2004.
From “The Bridge,” directed by Eric Steel (2005)
I read that the director, Eric Steel (who had cameras on the bridge from dawn to dusk for the entire year) had invoked Breughel’s “Landscape with the Fall of Icarus” — and that resonated with me. Then I remembered the poem of the same name by one of my favorite poets, William Carlos Williams.
From “Vertigo,” directed by Alfred Hitchcock (1958)
For me, as an American, a West Coaster and a cinephile, the Golden Gate Bridge has always loomed large in my consciousness. Today, as I attempt to digest this shattering film, I am moved and awed to offer these images, from Brueghel to the bridge — visions not just of a magnificent structure or landmark, but of a place of mythic stature in the imagination.
“Landscape with the Fall of Icarus”by William Carlos Williams
According to Brueghel
when Icarus fell
it was spring
a farmer was ploughing
his field
the whole pageantry
of the year was
awake tingling
near
the edge of the sea
concerned
with itself
sweating in the sun
that melted
the wings’ wax
unsignificantly
off the coast
there was
a splash quite unnoticed
this was
Icarus drowning
(Statistic: Most American suicides take place in the spring.)