In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb mv5bztg3yteznjytzty2ns00yjnmltlhnjutzti2m2e5ndi4m2njxkeyxkfqcgdeqxvymzi3mdezmzm . v1 sy1000 cr0 0 675 1000 al

Mudbound

The film invites us to observe its characters, to hear their inner voices, to see what they see and to challenge our own preconceived notions…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Reviews

Xtro

  |  

"Xtro" is an ugly, mean-spirited and despairing thriller that left me thoroughly depressed. Why was this movie made? What vision filled the filmmakers with a desire to share this work with an audience? I am not expecting a great movie when I walk in to see something named "Xtro," but I do hope the movie will contain some humor, or style, or excitement. "Xtro" is the work of incompetent cynics.

It's a British film, opening with a spaceship taking away a little boy's father. Three years later, the lad still has nightmares about it. Now his Mummy lives with another man, and the kid plays with his pet snake. Then the aliens visit again, dumping one of their creatures by the side of a road. The creature is one of those standard special effects monsters, made out of plastic, slime, teeth and moans.

Advertisement

Through a process that the movie makes complicated without making interesting, this creature has the ability to attack humans and turn them into things that look like people but aren't. One of the creatures is the little boy's "Daddy," who figure's in one of the most uncomfortable dinner-party scenes ever put on film.

The movie settles into a curious pattern. The scenes of everyday events are done as a sort of bitter, understated British slice of life. They alternate with the special effects scenes, which are heavy on teeth, slime, pulsating eggs and things that bite you in the face.

There are fugitive moments of tenderness, as the little boy plays with his pet snake, Harry, but this idyll ends when Daddy eats Harry's eggs. There also are moments that fly in the face of reason. In one of them, the mother turns back her son's covers to find he is totally covered with blood. A doctor is called, but no wound is found. Next morning at breakfast, the boyfriend says it's time for the kid to go to school. "But what about last night?" asks the mother, not unreasonably. "Poof -- forget about it," says the boyfriend.

Most exploitation movies are bad, but not necessarily painful to watch. They may be incompetent, they may be predictable, they may be badly acted or awkwardly directed, but at some level the filmmakers are enjoying themselves and at least trying to entertain an audience. "Xtro" is an exception, a completely depressing, nihilistic film, an exercise in sadness.

At the theater where I saw it, "Xtro" was on a double bill with "Tootsie." Why? Possibly because a booker thought the combo of a third-run hit comedy and a first-run thriller might attract audiences. On a Sunday afternoon, the audiences that turned up for "Tootsie" were rather nonplused by "Xtro's" pulsating slime and bloody little kids. It's movies like this that give movies a bad name.

Advertisement

Popular Blog Posts

Why I Stopped Watching Woody Allen Movies

Stop watching movies made by assholes. It'll be OK.

“Call of Duty” and “Wolfenstein” Redefine the Modern WWII Game

A review of two of the biggest games of 2017, a pair that use World War II in very different ways.

Netflix's Marvel Spin-off "The Punisher" is a Lightweight

A review of Netflix's new Marvel series, "The Punisher."

The Messy Women of "Thor: Ragnarok"

Hela and Valkyrie are unusual for Marvel and blockbuster movies in general. Both are messy, complicated figures not n...

Reveal Comments
comments powered by Disqus