Glass is a misfire, and it’s the kind of depressing misfire that hurts even more given what it could have been.
From: Chris Scott, Los Angeles, CA
Reading Roger's defense of "Crash" I came across his description of the following events in the film: "After a carjacking, a liberal politician's wife insists all their locks be changed -- and then wants them changed again, because she thinks the Mexican-American locksmith will send his "homies" over with the pass key. The same locksmith has trouble with an Iranian store owner who thinks the Mexican-American is black. But it drives the Iranian crazy that everyone thinks he is Arab, when they should know that Iranians are Persian. Buying a gun to protect himself, he gets into a shouting match with a gun dealer who has a lot of prejudices about, yes, Arabs."
It was in reading this that I realized "Crash" should have been made as a farce, satire, or black comedy! It would have been far more effective and less patronizing to its audience, just as "Dr. Stangelove" was a far more effective anti-war movie than the self-important "Fail Safe."
Scout Tafoya's video essay series on maligned masterpieces continues with a celebration of Shane Black's The Predator.
A look back through Christian Bale's filmography, highlighting five roles that define his career.
An excerpt from the new book The Sopranos Sessions, about HBO's legendary TV series.
This message came to me from a reader named Peter Svensland. He and a fr...