In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

Thumb house jack

The House That Jack Built

Ultimately, it’s more of an inconsistent cry into the void than the conversation starter it could have been.

Thumb mule poster

The Mule

The Mule repeatedly spells out and hammers home its message about the importance of family, but it ultimately rings hollow.

Other Reviews
Review Archives
Thumb tvovw7qjj63zbqw5tz8cjpthaud

Schindler's List

This was published on June 24th, 2001, and we are republishing it in honor of the film's 25th anniversary rerelease."Schindler's List" is described as a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Primary 380 tmc

The Empathy Machine of "Short Term 12" with Brie Larson, Keith Stanfield

Imagine preparing to jump into adulthood without the safety net of a family. The reasons may vary: Parents who can't master maturity, parents who can't handle the mental problems of their children, parents who have mental issues of their own, parents whose sense of responsibility has been riddled by acidic actions of addiction. For whatever reason, these children end up in foster care. The 2013 movie "Short Term 12" which was screened on Thursday, April 24, at 4 p.m.—the second day of Ebertfest—is a sensitive portrayal of children in a residential foster care home and the barely older young adults who are their in-home caretakers.


"Short Term 12" is the name of one such facility and the name suggests a measure of insecurity. This isn't a long-term solution. The kids may try to run away and even succeed since the rules are that once off the grounds of the facility, the in-house caretakers can't physically force them to return. Even if they don't physically run, these kids will age out and be sent out into the world without the safety net of a family. Writer and director Destin Daniel Cretton worked in one such foster care facility, so he knows something about the topic. There are no easy answers and we are set up to expect the worst: a funny story has a tragic ending.

In the beginning, the central character Grace (a luminous Brie Larson) seems to have it all together. She advises a new employee that the kids stay there "typically less than a year and as long as three." The in-house caretakers are "here to create a safe environment" but they are not the parents and not the therapist. They also have to let go and hope for the best when the kids like Marcus (Keith Stanfield) age out.

Personal circumstances and a new resident pushes Grace to the edge, forcing her to face her own past or else lose the loving relationship she has with her live-in boyfriend and co-worker Mason (John Gallagher).

Some Ebertfest attendees had already been prepared for careful consideration of the issues by a Thursday morning panel discussion on "Challenging Stigma Through the Arts," in which health care and mental health issues were discussed. The movie itself doesn't clearly state the back story of the characters, but some of the foster kids require regular medication and more than one character has been cutting herself. Brie Larson participated on the panel, and she and Keith Stanfield were at Ebertfest for the Q&A following the screening.


During the Q&A, Larson explained that in the three weeks she had to prepare for the part, she shadowed real caretakers and she noted, "They have a lot of authority but they have very little authority. It's a strange dichotomy." One of the things that informed her portrayal was a woman she shadowed that had been doing that job for 27 years and told her you have to learn to "let go."

Cretton got some help from experienced rapper Stanfield for the lyrics used in the rapping sequence that reveals the angst of his character. The Los Angeles-based Stanfield raps with a group called Moors. Stanfield re-wrote Cretton's original rap dialogue, but Cretton felt Stanfield's version was too extreme. The one eventually used was halfway in between. Stanfield vividly recalled that the camera was up in his face filming that scene and he definitely had to focus on the tragedy of his character, hunched over and eyes blank as if seeing some painful memories from his past. 

In another key scene, Stanfield has his hair cut off, which Chaz Ebert noted was especially significant for the African American community. For African Americans, hair can be a social and a political issue often tied to self-identity. Stanfield felt that his character was "cutting off his fears and facing them head on" by having Grace shave his hair off.

Of the movie, Larson commented that "We all have the shadow side, the dark side." Yet by "accepting that pain, using that weakness as a strength, then it becomes love, it becomes safety, it becomes a community and a way to progress." The movie did have therapeutic moments for Larson. During one scene she gets to take a baseball bat to a car. She had been working 12 hours a day for 20 days on the movie and she confessed, "I was only supposed to hit it three times. I was only supposed to crack it [the windshield]." For some reason, she became obsessed with breaking through the front windshield and she laughed and said of the experience, "It was the best thing ever." Car crunching as therapy. If it becomes a trend, you'll know who started it.

"Short Term 12" won the Audience Award for Best Film at the Athens International Film Festival and the Austin Film Critics Award for Best Film and Brie Larson won the Austin Film Critics Award for Best Actress and for the Breakthrough Artist.

Popular Blog Posts

The Ten Best Films of 2018

The staff choices for the best films of 2018.

The Baffling Failure of Fallout 76

A review of Fallout 76.

Glenn Kenny's Top Ten Films of 2018

The ten best films of 2018, according to Glenn Kenny.

My problem with "Blue Velvet"

If you want to understand David Lynch, maybe the place to start is with his paintings. He paints in a style he descri...

Reveal Comments
comments powered by Disqus