There is so much quality television out there nowadays—with the
promise of even more on the horizon with fascinating series like HBO’s “Vinyl,”
Netflix’s “The Get Down” and even FX’s “American Crime Story”—that an
anachronism like FOX’s “Second Chance” feels even more insulting. When you’re
being fed increasingly high-caliber food, finding something on your plate that’s
rancid brings an even greater shock value. That’s a good way to describe
my response to “Second Chance.” It’s shocking that a show with this much talent
involved in 2016 could be this ineffective, this inept and this awful. It’s
one of those projects that one truly hopes gets canceled soon, not to hurt the
careers of anyone involved in any way, but so that they can move on to better
things.

FOX has basically patented the high-concept procedural show.
Sleepy Hollow” and “Minority Report” are essentially case-of-the-week shows, but
they feel like they’re twisted just enough that they could emerge from nowhere else than FOX. To that end, “Second
Chance,” which is kind of a hybrid of “Self/Less,” “Robocop” and “Law &
Order,” fits on this network that often thinks outside of the box more than its
network counterparts. In some ways, that’s what makes “Second Chance” so
disappointing. The idea isn’t horrendous, and it’s on the only broadcast network
where I think it could work. The execution on the other hand? Shocking.

75-year-old Ray Pritchard (Philip Baker Hall) is a
hard-drinking, bitter, retired detective who barely gets out of his chair
anymore. His son, FBI Agent Duval Pritchard (Tim DeKay), tries his best to
reach out to the grumpy old man, but there’s not much of a relationship there
anymore, even though Jimmy clearly feels some affection for his granddaughter.
The younger Pritchard is working a case of corruption—although not working it
hard enough, according to dad. It turns out his father may have a point when
the bad cops that Duval was investigating go and kill the poor guy, throwing
him off a bridge.

Meanwhile, billionaire tech twins Mary (Dilshad Vadsaria)
and Otto Goodwin (Adhir Kalyan) are developing a breakthrough technology. They
have figured out how to transplant someone into an entirely new body (a la “Self/Less”).
And it turns out that Pritchard is the ideal candidate. They give him a
younger, better, stronger version of himself (played now by Rob Kazinksy), and Ray gets a new life. He has to regularly return to the Goodwins for
treatments to keep the “transplant” from falling apart, and it turns out that
the twins only did this to use his blood to cure her incurable cancer. I didn’t
even mention that Otto is a recluse, or that the twins have developed their own
language.

It wouldn’t be enough to have a septuagenarian with a new
chance to solve crimes and build a rift with his family—they also need to make
him a Robocop-esque physical machine. He can punch through walls and leap from
buildings. In his opening moments, he jumps out a window, and runs to help save his
son’s life, but he gets distracted by a young woman jogging (remembering that his
new body has some other uses as well).

“Second Chance” is so self-serious at times that it verges
on parody, especially in every overwritten scene with the twins. The writing
is atrocious, the production values are subpar, and there’s not a single good
performance. Even DeKay, so charming on “White Collar,” looks adrift in a show
that’s more concept than execution. I often try to find something nice to say
about a new show, but I’m stumped on “Second Chance.” There’s not a performance
I like (but several I hate) and there are some scenes that are so poorly written and constructed
that I shook my head. Peak TV this is not. It’s not surprising to me that FOX
is burying it before the premiere of “The X-Files,” a show that people may
actually pay attention to and is likely to get the bulk of the promotion over
the upcoming football postseason. The end of the series premiere of “Second
Chance” makes almost no sense at all, and subsequent episodes, what I could
take of them, didn’t seem to improve the show. There’s so much interesting TV coming
up that it will be easy to move on from “Second Chance” quickly and forget it
ever happened. Don’t even bother with a first chance. 

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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