The House with a Clock in Its Walls
Black, more than anyone else, should have been the one to wind up The House with a Clock in Its Walls. Too bad he doesn't…
Ben Kenigsberg is a frequent contributor to The New York Times. He edited the film section of Time Out Chicago from 2011 to 2013 and served as a staff critic for the magazine beginning in 2006. Prior to that, he was a mainstay in the film pages of The Village Voice. He has also written for Variety, Slate, The A.V. Club, and Vulture, among other publications.
Abel Ferrara's thinly veiled take on Dominique Strauss-Kahn screened off-fest.
At Cannes, an American documentary and a surreal Israeli comedy examine national identity.
Haitian-born director Djinn Carrenard's nearly three-hour second feature is by turns enthralling and exasperating.
A Steak 'n Shake opens 50 paces from the hotel where Roger Ebert used to stay during the film festival.
Seventy-five years late, an early film production by Orson Welles finally had its New York City premiere.
This summer's Millennium Park screenings kick off with a dedication to Roger Ebert.
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.
Ben Kenigsberg recaps Cannes's post-awards press conferences and closing-night party.
Ben Kenigsberg makes his predictions for Sunday night's Cannes awards.
Bruce Dern and Will Forte reminisce about their father-son road trip in Alexander Payne's "Nebraska."