CIFF 2025: The Stranger, Franz, Kontinental ’25
On new films from three international masters: Ozon, Holland, and Jude.
On new films from three international masters: Ozon, Holland, and Jude.
“Black Phone 2” is messed up in ways that big-budget movies from major studios are rarely allowed to be.
Sometimes, we should be made uncomfortable. And that is, in the end, what “After the Hunt” attempts and mostly succeeds in.
On three films from NYFF, including the latest from Bradley Cooper.
A look back at this year’s event, including detailed thoughts on Jafar Panahi’s latest from the expert in Iranian cinema.
On three films out of the New York Film Festival.
Bigelow’s ability to take a series of hypotheticals and render them into narrative actuality has never been more pinpoint accurate or merciless.
A slick but incurious film that is so preoccupied with showing the what of Manchester’s story that it doesn’t bother to examine the why.
Despite a strong premise, Bertino struggles to define what he’s trying to say with the piece, falling back on way too many loud noises and jump scares.
As we learn more about three generations of Stillers, the film takes the shape of a family therapy session that just happens to be lovingly crafted into a feature documentary.
While sports films are known for pulling you in, this one actively pushes you away, something that even feels true about the meta casting of its leading man.
Ronan Day-Lewis’s feature debut “Anemone” is an ambitious and expressionistic family drama about brothers and fathers, but its obtuse nature leaves the audience feeling estranged.
A preview of this year’s event with critical thoughts on Late Fame, Peter Hujar’s Day, and The Mastermind.
A final dispatch from Fantastic Fest on three very different films from three promising directors.
On three imports to Fantastic Fest, including two of the best of this year’s line-up.
A movie that frustrates more than it thrills, never quite finding the right tone for the most harrowing night in the lives of its characters.
On three buzzed premieres from Austin’s horror fest.