Women Writers Week 2018: Table of Contents
A collection of all of our essays, reviews and more from Women Writers Week 2018.
A collection of all of our essays, reviews and more from Women Writers Week 2018.
A look back at the 1988 Best Picture-nominated comedy, “Working Girl.”
Women Writers Week is about lifting up those voices that seek to nurture and educate and unite us.
Andersson remains one of cinema’s most undervalued icons.
An excerpt from the latest issue of the online magazine, Bright Wall/Dark Room.
An interview with the director of “No Other Way to Say It” and a presentation of the short film.
A deep look at Phantom Thread and how it examines the relationship between model and designer.
A special edition of Thumbnails centering on the youth-led fight for gun control.
Greta Gerwig is the fifth woman to be nominated for the Oscar for Best Director.
As part of Black History Month, the Chicago Symphony Orchestra’s African American Network will screen “The Scar of Shame,” with Renee Baker’s score, on Feb. 24 in Buntrock Hall.
A photo essay look at the visual language of Oscar-nominated Mudbound.
On two excellent Criterion releases of classic horror films.
A rare superhero fantasy that’s plugged into the real world, but that still can’t be all things to all viewers.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
An article about the wide-ranging efforts to arrange free screenings for students and young people to see the groundbreaking “Black Panther.”
A look at the use of music in the Star Trek series and how the season finale of Discovery recalled its legacy.
Perhaps Eastwood isn’t just interrogating heroism, he’s interrogating himself.
This month’s excerpt from online magazine Bright Wall/Dark Room is an essay by Paul Fischer about “A Streetcar Named Desire.”