Short Films in Focus: Sweet Steel
An interview with writer/director Will Goss about Sweet Steel, and a presentation of the short film.
An interview with writer/director Will Goss about Sweet Steel, and a presentation of the short film.
A review of Wolfenstein: Youngblood and the lessons it can teach creators about using Nazi imagery in 2019.
An article celebrating the one-year anniversary of our first female editor at RogerEbert.com, Nell Minow.
A piece on progress in who gets to tell stories reflected in films like Can You Forgive Me?, Late Night, The Souvenir, Revenge, and more.
A feature on the career of Leonardo DiCaprio through five performances: Titanic, Catch Me If You Can, The Aviator, Shutter Island, and The Wolf of Wall Street.
A book excerpt from Seventh Row’s latest e-book about Joanna Hogg’s The Souvenir.
RogerEbert.com contributor Godfrey Cheshire talks about his new book Conversations with Kiarostami, a collection of his interviews with the legendary Iranian director.
Dashing or menacing, depending on the role, Rutger Hauer was a one-of-a-kind screen presence.
An article about the Chicago Stories Gala presented by Victory Gardens Theater on October 5th, 2019, presenting debuting playwrights Chaz Ebert and Stacy Janiak, and honoring Justina Machado and Phillipa Soo.
An excerpt from Godfrey Cheshire’s new book.
An interview with Jim Starlin at SDCC, the man who gave us Thanos.
A report on an event and pop-up museum from SDCC.
From a 2019 perspective, the Persona Filter can be used to better understand one’s sense of self, and to better understand the complexities of “extremely online” behavior.
This month’s Bright Wall/Dark Room excerpt on Under the Silver Lake.
A video featuring Chicago City Council declaring Friday, July 12th, 2005, as Roger Ebert Day in Chicago.
Horror has long been a vehicle for expressing the ways in which relationships of different generations crumble.
A review of two new clever guides that merge travel and television.
While the gun barrel sequences in James Bond films have not changed a great deal visually, one element that has evolved constantly is the music.
Valerie Weiss on her path to Hollywood; Emily Lape and Alison Hixon on “Mercy’s Girl”; Alma Har’el’s plan for female directors; Four-part “Hateful Eight”; Lisa Hanawalt and Raphael Bob-Waksberg.