
The Fairy Tale of Homeownership in The Last Black Man in San Francisco
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
A special edition of Thumbnails spotlighting our coverage of the 2019 Cannes Film Festival.
A review of the new post-apocalyptic game, Rage 2.
An interview with the director of Guns Found Here, and a presentation of the short film.
I don’t think Godzilla: King of the Monsters will give us singing twin fairies, but I hope it remembers that there is power in protection, not just destruction.
There’s something glorious about being freed from the confines of a pretty rote thriller and simply waiting for De Palma to uncork some rococo bit of violent suspense.
Alien is both ahead of its time and squarely of its time.
The latest Taschen book is an essential companion for lovers of animation.
A special edition of Thumbnails spotlighting coverage of the 2019 Cannes Film Festival.
An essay by Lindsey Romain about Postcards from the Edge, as excerpted from the latest edition of online magazine Bright Wall/Dark Room.
Return now to those thrilling days of yesteryear.
An article about Champ Clark’s one-act play,”Wild Son: The Testimony of Christian Brando,” currently running at Santa Monica Playhouse through May 26th, performed by John Mese.
An interview with the writer/director of One Cambodian Family Please For My Pleasure and a presentation of the short film.
Shadow has an increased humanism with the absence of Zhang Yimou’s beloved colors.
There is some precedent in the subgenre of kiddie noir, suggesting Detective Pikachu needn’t have turned out this dumb or indifferent.
A celebration of the late John Singleton’s filmography, as guided by the writings of Roger Ebert.