Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The work of the late author, writer and director William Peter Blatty will continue to haunt the dreams of readers and moviegoers for generations to come.
The latest and greatest on Blu-ray and streaming services, including The Infiltrator, Cafe Society, Blood Father, and a Criterion edition of Boyhood.
On how Clint Eastwood's "American Sniper" examines evil.
Many of today's films seem to be made solely for financial reasons, but the case of "The Exorcist" is more complex than most. It was a tremendous financial success, the all-time box office champ for a while, but only a psychic could have predicted that people would line up to see a movie of this nature.
Welcome to a special Halloween edition of the Newsletter! Marie writes: the Cimetière du Père-Lachaise in Paris is considered one of the most beautiful cemeteries in the world, in addition to being the final resting place of many a famous name. From Édith Piaf, Sarah Bernhardt and Chopin to Oscar Wilde, Jim Morrison and Georges Méliès, the well-known sleep on the tree-lined avenues of the dead and which you can now explore in a virtual 360 degree tour...
From the opening shot of "Cutter's Way" -- my favorite movie of the 1980s.
... and speaking of critical "best of" movie lists, here's a swell one called "50 Lost Movie Classics," from The Guardian. I might quibble with the terms "lost" (how "lost" can they be, when so many of them are available on DVD?) or "classics" (a "masterpiece" can be lost or overlooked, but can a "classic"?). But it is what it is. A group of British critics and filmmakers chose 50 movies (I have no quibbles with either of those terms) that... well, allow Philip French to explain: This isn't just another list of great movies. It's a rallying cry for films that for a variety of reasons -- fashion, perhaps, or the absence of an influential advocate, or just pure bad luck -- have been unduly neglected and should be more widely available. You know that feeling when someone hasn't heard of a film you've always loved and you want to show it to them? Or, in a different way, when you get annoyed because a picture hasn't been accorded the position you think it deserves in cultural history or the cinematic canon? That's the sort of film we have included on this list.And now, please permit me to add my own huzzahs for a few of the selections, several of which have also been featured on my personal "ten-best" lists over the years -- or would have been, in the event that I had made one that year. (And some were released before I was born, OK?) Several of these have already been discussed here at Scanners. Here are just a few of the choices I'd particularly like to second:
"Petulia" (Richard Lester, 1968) -- use the link to read about the opening shot."The State of Things" (Wim Wenders, 1982) -- one of the best movies about movies ever. And "Stranger Than Paradise" was made using the leftover b&w stock."Newsfront" (Phillip Noyce, 1979) -- charming account of Aussie newsreelers."Fat City" (John Huston, 1972) -- best boxing movie ever (and, yes, I include "Raging Bull" and "Rocky")."Ace In the Hole" aka "The Big Carnival" (Billy Wilder, 1951) -- no excuse for this to still be unavailable on DVD."3 Women" (Robert Altman, 1977) -- just watched it again the night Altman's death was announced and was thrilled to find it as mesmerizing as ever..."Twin Peaks: Fire Walk With Me" (David Lynch, 1992) -- although I think the series is by far the best work Lynch has ever done, I didn't "get" this one when it came out. Now I think it's genius (and should be double-billed with "Mulholland Drive")."Safe" (Todd Haynes, 1995) -- my choice for best movie of 1995."Housekeeping" (Bill Forsyth, 1987) -- my choice for best movie of 1987."The Parallax View" (Alan J. Pakula, 1974) -- NOT "Alan J. Parker" as The Guardian has it, fer cripes sake!!! Gripping paranoid thriller -- with a fight atop my beloved Space Needle!"Dreamchild" (Gavin Millar, 1985) -- nice double-bill with "Pan's Labyrinth," I think."The Ninth Configuration" (William Peter Blatty, 1980) -- I see a big moon risin'..."Cutter's Way" (Ivan Passer, 1981) -- my choice for the best movie of the 1980s."Wise Blood" (John Huston, 1979) -- I don't think I've ever fully recovered from the scars this one left on me."Two-Lane Blacktop" (Monte Hellman, 1971) -- this does qualify as a cult classic."'Round Midnight" (Bertrand Tavernier, 1986) -- Dexter Gordon as a version of Dexter Gordon, in gorgeous widescreen. One of the best evocations of cinema as jazz, and vice-versa."Grace of My Heart" (Allison Anders, 1996) -- pop music history mix-and-match (not unlike "Velvet Goldmine" in that respect) with terrific songs co-authored by Brill Building vets and contemporary artists. I watch this one over and over. Made me fall in love with Illeana Douglas.
Some of the choices I haven't seen: "Ride Lonesome," "Jeremy," "Under the Skin," "I Wanna Hold Your Hand," "Let's Scare Jessica to Death," "The Low Down," "Quiemada!," "The Hired Hand," "Le Petomane," "Bill Douglas Trilogy," "Babylon," "Day Night Day Night" (just missed it in Toronto!), "The Day the Earth Caught Fire," "The Mad Monkey," "Terence Davies Trilogy" (not sure what individual titles they mean to include, but "The Long Day Closes" was my best movie of 1992 -- or was it 1993 in the US?). And there are others the list reminds me to revisit (like Monte Hellman's "Cockfighter") because it's simply been too long.
Take a peek and let us know which ones you treasure (or don't) -- and maybe suggest some additional titles for such a list...
Q. I'm someone who lived through the real story of "Remember The Titans." I was a teacher at T.C. Williams from 1967 to 1972, and was the football PA announcer. To answer the questions posed at the end of your review: There were actually three high schools in Alexandria before 1971. G.W. was the downtown school and had a 50/50 racial split, T.C. Williams had a 70/30 white/black ratio, and Hammond was pretty much all white. Herman Boone was actually the head coach at T.C. for two years before the schools merged. Yoast was the coach at Hammond. The G.W. coach was ready for retirement and did so. So while the decision to give Boone the head job was gutsy it wasn't that big a deal. The black players at T.C. weren't upset about the decision because they knew Boone knew them pretty well. The movie makes Alexandria look like Redneckville. It wasn't, although the coaching fraternity was a "Good Ole Boy Network". I cannot remember one racial incident or fight in the halls either before or after the three schools merged. I think Boone's job with the team helped make that happen. I watched the movie on Friday night with a friend who had been a junior at T.C. in 1972. We both agreed that what happened in Alexandria in 1971 wasn't that big a deal. but we loved the movie and in retrospect think that it was a hoot being a part of history. (Don Kubie, Westport, CT)
For 27 years he defended his original cut of "The Exorcist," says William Friedkin, who directed the timeless horror classic.