Festivals & Awards
RIFF 2018: Ága, Knife + Heart
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Milko Lazarov’s "Ága" and Yann Gonzalez’s "Knife + Heart."
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Milko Lazarov’s "Ága" and Yann Gonzalez’s "Knife + Heart."
A dispatch on two of the final Cannes competition films of 2018.
A review of Woody Allen's new film, which just premiered at the 2016 Cannes Film Festival.
John Turturro, actor/writer/director of Fading Gigolo, discusses his career, working with Woody Allen, and cinema's difficulty in capturing true intimacy.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
Marie writes: club member Sandy Kahn has submitted the following and I salute her web skills for having found it. Namely, an upcoming auction of film memorabilia the likes of which you rarely if ever see...
Marie writes: At first you think you're looking at a photograph. Then the penny drops, along with your jaw..."Alan Wolfson creates handmade miniature sculptures of urban environments. Complete with complex interior views and lighting effects, a major work can take several months to complete. The pieces are usually not exact representations of existing locations, but rather a combination of details from many different locations along with much of the detail from the artist's imagination. There is a narrative element to the work. Scenarios are played out through the use of inanimate objects in the scene. There are never people present, only things they have left behind; garbage, graffiti, or a tip on a diner table, all give the work a sense of motion and a storyline. Alan's miniature environments are included in art collections throughout the US and Europe." - Alan Wolfson - Miniature Urban Sculptures
"FOLLIES BURLESK" (1987)14 1/4 x 19 1/4 x 21 1/2 inches(click images to enlarge)
The grand Poobah writes: I have been assured by many posters on my video games blog entry that it took decades for the cinema to gain recognition as an art form. Untrue. Among the first to admire it was Leo Tolstoy, and I reprinted his late 19th-century reaction in my Book of Film. In 1908, Tolstoy and his family appeared in an early motion picture, and if you saw The Last Station (2009) you may want to compare your memories with the real thing. Here is some information about those in the film.
The Last Station (2009) Director Michael Hoffman. Cast: James McAvoy, Helen Mirren, Christopher Plummer, Paul Giamatti and Kerry Condon."The Last Station" focuses on the last year of Count Tolstoy (Christopher Plummer), a full-bearded Shakespearian figure presiding over a household of intrigues. The chief schemer is Chertkov (Giamatti), his intense follower, who idealistically believes Tolstoy should leave his literary fortune to the Russian people. It's just the sort of idea that Tolstoy might seize upon in his utopian zeal. Sofya (Helen Mirren), on behalf of herself and her children, is livid." - Ebert. You can read Roger's full review HERE.
