Roger Ebert
The drinker and the drunk
The movies are full of drunks, from literary drunks ("Factotum") to frat-boy binge drinkers ("Beerfest"). Some of these drunks are funny ("Arthur," "Bad Santa," W.C. Fields), some are tragic ("Ironweed," "Leaving Las Vegas") and some are not meant to be thought of as drunks, but as alcoholics, subjects for treatment ("28 Days," "When a Man Loves a Woman"). Like the prostitute, the drug addict and the mentally or physically challenged, the drunk has provided actors with fabulous opportunities to chew the scenery (quite tasty with a single-malt scotch) and win awards (pop open the champagne!).
