Dolemite is My Name is a typical biopic buoyed by its unrelenting hilarity, its affection for its subject and commitment to the time and place…
There's nothing below the surface of this soulless movie.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
An article about the inclusion of Sojourner Truth on Central Park's suffragette statue.
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
A reappreciation of a Billy Wilder classic.
FFC Seongyong Cho looks back at Alan J. Pakula's twisty thriller Presumed Innocent.
A review of three docs from TIFF on Agnes Varda, Adam Goodes, and Bikram Choudhury.
A review of Netflix's The I-Land, the worst show in the streaming service's history.
Since Otar Left (2004)
—
Alexi
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
