Glass is a misfire, and it’s the kind of depressing misfire that hurts even more given what it could have been.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
“The Sweet Hereafter” is superlative in its uncompromising but undeniably compassionate depiction of a bleak human condition.
A FFC essay on Paul Schrader's 1997 darkly powerful drama Affliction.
Q. In predicting the Oscar winners, you should take into account Hollywood's bias against blond leading men. Jon Voight is the only blond winner I'm sure of. The debate goes on around here about Lee Marvin (gray), Jimmy Cagney (red) and Paul Newman (auburn), but even if I concede all four of those and throw in Lionel Barrymore (gray) for good measure, that's only 5 out of, what, 69? Not a high percentage (Y/N?). So I, for one, ain't surprised that "Leo" wasn't nominated. And he, or at least his agent shouldn't be surprised either. That's show biz. (Don Howard, San Jose, CA)